Showing posts with label 3.5-STAR RATING. Show all posts
Showing posts with label 3.5-STAR RATING. Show all posts

Sunday, February 1, 2015

BOOK REVIEW: Walong Diwata ng Pagkahulog by Edgar Calabia Samar

"Mahaba ang kuwento ni Teresa, paulit-ulit, paikot-ikot, gaya ng alon sa dagat na biglang tataas at huhupa, subalit maya-maya'y muling magbabalik ang bangis, ang galit, damang-dama kahit ng mga nag-aakalang nasa dalampasigan, nasa pampang na sila."

Ganyan na ganyan ang pwedeng kong sabihin sa librong ito ni Sir Egay Samar. Paikot-ikot, pasikot-sikot. Akala mo ang simple lang, pag minsan ang lalim... akala mo ang obvious, pag minsan nakakalito... akala mo boring, pero teka, asan na ba ako? Ayan nawawala na ako.

Author:  Edgar Calabia Samar
Country:  Philippines
Language:  Filipino
# of pages:  232
Year published:  2008
(English translation:  Eight Muses of the Fall)
Aaminin ko, sa unang parte ng libro ay naging mahirap talaga para sakin. Pag minsan parang zombie na lang ako na nakatingin sa mga letra at salita, parang robot na automatic ko na lang na iniiscan ang mga linya. Pero dahil ang isang bookworm ay may konsiyensya sa pagbabasa, heto't uulit-ulitin ko ang mga paragraphs, pag minsan mga pahina. Nahirapan akong sakyan ang flow. Hindi dahil mahirap intindihin (ang ibang mga salita oo. Lalim men!) kundi dahil disjointed. Putol-putol dahil nga binabagtas mo ang kwento kung saan ang iyong guide ay medyo naliligaw din ng landas. Sa una medyo wala akong amor sa bida - si Daniel. Ilang beses ko rin naramdaman ang yamot dahil sa pagkahaba-habang mabulaklak na prose na hindi ko naman alam ang mga nangyayari. Frustrating ang unang 60 pages ng libro para sa akin.

Pero pagkatapos nun, nag-iba na ang takbo ng istorya. Di ko alam ano ang nangyari, pero tuloy-tuloy ko na syang binabasa. Pag minsan ay mararamdaman ko parin ang panandaliang inip. Tipong "jusko andami mong satsat Daniel walang kwenta ang sinasabi mo!", pero tulad ng alon sa dagat, hahampasin ulit ako ng isang matinding "feels" at madadala ulit ako sa dagat ng mapaglarong panulat ni Egay.

Tuesday, November 18, 2014

[MOVIEHOUSE MADNESS]: Interstellar (2014)

It's rare for me to be so confused after watching a film. Confused, not because of the plot, but because I was trying to gauge my feelings towards it. Did I love it? Did I hate the spine of the story? From standing up from my seat, to peeing, to walking out of the movie house, down the escalator, and to the parking lot, I was thinking. My mind was like in a jumbled time-space continuum, struggling, wondering, puzzling over the movie I just saw. Even on the way home, I was mostly silent, well, at a loss for words is more appropriate - which is unusual for me. Any other movie I would have been gushing or ranting.

What got me so confused is that for a highly anticipated movie, Interstellar made me feel overwhelmed and underwhelmed at the same time.



Directed by:  Christopher Nolan
Written by:  Jonathan & Christopher Nolan
Music by:  Hans Zimmer
Cinematography by:  Hoyte van Hoytema
Edited by:  Lee Smith
Running time:  169 mins
Budget:  $165 million
Box Office:  over $322 million

Sunday, July 20, 2014

[BOOK + MOVIE]: The Turn of the Screw and The Innocents

In BOOK + MOVIE, I feature one book and its film adaptation(s) and tell you if the movie versions are as good as the source material. I'm quite aware that films & novels are different mediums, but I'm only comparing the general mood and how it affects me as a reader & viewer.


With a plethora of movies nowadays with "I-betcha-didn't-see-that-coming" plots, sometimes, I just wanna think that The Innocents is just a simple ghost story. But after reading Henry James' The Turn of the Screw, I'm convinced that there's more to the story than ghosts or delusional protagonists. The way James wrote almost everything in an ambiguous way that forces the readers to decide and convince themselves what really happened makes this one of the best novella of its kind that I've read.

Author:  Henry James
Year Published:  1898
# of pages: 157
Genre:  novella, horror gothic fiction
Country:  U.K., U.S.
Baffling us by clearly indicating that the main character could be unstable, and the one character that supports her could also be unreliable in a way that it's clear she's submissive, while supplying us with sufficient head-scratching moments coming from the uncannily intuitive children, makes us reconsider the plausibility of otherworldly presence in the house.

Are there really ghosts? Or are there just loose screws in The Governess' head? That's just what makes this story stand out.

Monday, May 19, 2014

BOOK REVIEW: Imperial Bedrooms

Written by:  Bret Easton Ellis
Preceded by:  
Less Than Zero
# of pages:  169
Country:  U.S.
Year published:  2010
Here I am, after a less than thrilling experience with Less Than Zero, re-entering the dirty - no, make that filthy - mind of Clay, now older but definitely not wiser. If you haven't read LTZ or this book yet, let me tell you this, Ellis' characters are a bunch of unlikeable, unrelatable self-absorbed pricks. Reading Imperial Bedrooms, somehow was easier for me maybe because it was plot-driven or that Clay was much more focused (with himself though) or maybe because I already have a background with the story. It also helps that I've seen the movie version of LTZ and I already have a face for Julian (Robert Downey Jr.) and Blair (Jami Gertz), though for some weird reason instead of seeing Andrew McCarthy in my mind as Clay - Emilio Estevez keeps popping up.

At first glance, I thought Clay has matured. I thought the rest of the characters have grown up. Boy was I wrong! I think they're worse than when they were kids! What shallow, pathetic, empty lives they live. What's more pitiful is the fact that I have willingly let myself get sucked into this scary world AGAIN! 

Tuesday, February 18, 2014

QUICKIES: Some Oscar-nominated 2013 movies

Here are my quick reviews of American Hustle, Blue Jasmine, Dallas Buyers Club, Inside Llewyn Davis, Nebraska, Philomena, Rush, and Lee Daniels' The Butler.


Sunday, February 16, 2014

Her (2013)

"I feel like I can be anything with you."


Set in the future, Her is about a man who fell in love with his female operating system (It's Scarlet Johansson, what testosterone-infused human being wouldn't? LOL). Sounds silly? Not really. In this internet age, every kind of relationship is possible. Who's to say that falling in love with someone you haven't even seen is not right? You talk to that "person" every single day, you share your innermost thoughts, your dreams, your feelings. You tell that "person" everything without second thoughts. You "connect" with that "person." Who's to say that's not love?  This film gives us a closer look & a wider understanding of what a relationship is, conventional or not. Love is universal. Emotions are real as they are felt.

Directed & written by:  Spike Jonze (Being John Malkovich, Adaptation)
Starring:  Joaquin Phoenix, Scarlett Johansson, Rooney Mara, Amy Adams
Music by:  Arcade Fire
Cinematography by:  Hoyte van Hoytema (Let the Right One In, The Fighter)
Editing by:  Eric Zumbrunnen (Being John Malkovich), Jeff Buchanan
Running Time:  126 mins
Box Office:  a little over $23 million


Her is cinematically beautiful, that's undeniable. The romance underneath the almost tangible melancholy is so bittersweet you can't help but feel it... get affected by it. You can't look away, even when you're witnessing a somehow laughable but sweet sex scene from Joaquin Phoenix and Scarlett Johansson.

Tuesday, January 21, 2014

August: Osage County (2013)

A black comedy-drama about a dysfunctional family with a penchant for dining table hysterics.


"Eat your fish, bitch!"

Directed by:  John Wells (The Company Men)
Written by:  Tracy Letts
Music by:  Gustavo Santaolalla (Brokeback Mountain, Babel)
Cinematography by:  Adriano Goldman
Editing by:  Stephen Mirione (Traffic)
Running Time:  120 mins
Budget:  $20 million
Box Office: over $24 million


In one scene where Violet (Streep) was running away from the car (where to, I don't know.) - just watching her running - just running - and Roberts finally catching up and telling her "There's no place to go." suddenly gave me that feeling of wanting to be an actress. Not for the fame or glamor, but to live forever because she will be watched & admired by generations to come. Damn it MERYL STREEP IS GONNA LIVE FOREVER! This woman is so great she gave me the "feels" just by running! C'mon! Give this lady an Oscar! She probably won't win though. Too bad, she is incredibly fascinating in this movie. That can also be said about Julia Roberts. 




Sunday, December 1, 2013

QUICKIES: A Home Security Salesman, A Rape Victim's Revenge, A Drug Dealer, and An Innovative Jerk


Either I'm too lazy at the moment... or the movie does not deserve a full review. Here are my straight-to-the-point reviews, QUICKIES if you will, of The Purge, I Spit On Your Grave (2010), We're The Millers, and Jobs.

THE PURGE (2013) 

Written & Directed by:  James DeMonaco
Cinematography:  Jacques Jouffret
Starring:  Ethan Hawke, Lena Headey, Rhys Wakefield
Running Time:  85 mins
Budget: $ 3 million
Box Office: almost $ 90 million (which is why they're making a 2014 sequel)
The idea is fascinating, the potential is huge, but this film is ultimately nothing but a missed opportunity. Murderous yuppies in freaky masks, wielding machetes & all that government-approved crap, wreak havoc in search of a homeless black guy who they deem to be purge-material. The ideas explored are thought-provoking and interesting, but instead, it just became another generic home invasion thriller that may have a few good moments, but that's about it. Overall, it's just another cliched thriller filled with gaping plotholes and eye-rolling scenes or plot devices. Eugenics The Movie. Uh huh. 

And those masks! Ugh. It may have worked in The Strangers, but in here, it just makes me want to suckerpunch the smirk off of their arrogant faces. And what's up with that ugly RC baby doll camera? Surely there's something less conspicuous (and prettier) than that?

I'm curious though, who are the New Founding Fathers of America? ;)

My Rating: 1.5/5 - A movie deserving to be watched for its intelligent ideas, but also deserving of the low ratings because of its failure to express & explore.

*     *     *

Wednesday, September 4, 2013

Pitch Perfect (2013)

Beca, a freshman at Barden University, is cajoled into joining The Bellas, her school's all-girls singing group. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition.
Directed by:  Jason Moore (his debut film)
Screenplay by:  Kay Cannon 
Starring:  Anna Kendrick, Rebel Wilson, Britanny Snow, Skylar Astin
Running Time:  112 minutes



"Get Pitch-Slapped"


This is Glee... in college. I won't say more on that subject.

Forget about the story - it's typical.

Forget about the song choices - it's average, and it seems they blindly picked songs from the Billboard 100 or whatever you call it. Okay, they added some 80's flavor (which I love), so, good move!

Forget about the performances - because they are, again, average at best. Although that last perfomance of The Bellas entertained me a lot.

But, I kinda liked the movie.

Maybe it's because I wasn't expecting much before pressing PLAY. But seriously,

Wednesday, August 7, 2013

BOOK + MOVIE: Watchmen

Who watches the Watchmen?


"Yes, we were crazy, we were kinky, we were Nazis, all those things that people say. We were also doing something because we believed in it. We were attempting, through our personal efforts, to make our country a safer and better place to live in." - Hollis Mason (novel)

Friends have been simply raving about the adaptation. After reading the graphic novel, my expectations of the movie are ridiculously even higher. Watchmen (novel) is simply awesome in my opinion, so the next day I plopped my lazy ass on the couch and started the movie.

The movie was three hours long so I'm guessing it's the Director's Cut, but I'm still planning on watching the Ultimate Cut which I've read is more or less 4 hours long. So, basing from the version I just watched, did the film adaptation deliver?

As a faithful adaptation, yes it delivered. It's amazing to see a graphic novel come to life the way Zack Snyder made it - every frame, even the minute details that I loved in the novel were done essentially the same way in the movie. The frame-by-frame zooming in or out was there in the movie as well. In terms of content, the movie still retained the gist of what the novel is all about but less meatier. I like Snyder's technical style, but the gloss & vibe of the movie didn't feel too 80's, which is a shame because there's something about that era that I love. Yes, in alot of ways Snyder's Watchmen did deliver (and more than enough... and better than most comicbook movies), but essentially, there's something lacking, there's something uneven in his execution.
I did love the opening credits, the history of the Minutemen was nicely summed up in a very entertaining, eye-candy way. I also love the fact that the cast were very similar to the novel's list of characters, with one or two exceptions. Like I said, it's a very faithful adaptation, even with the changed ending. So what went wrong?

It's not that the movie failed in general. This is just me. Maybe my prior knowledge about the story affected the way I regarded the film, maybe it's a typical book-to-movie expectations of those who love book versions, I don't know. This is my personal opinion and I could very well be wrong. Anyway, these are some of the things I found in the movie that didn't seem right.

For those who haven't seen or read Watchmen, this is NOT a spoiler-free environment. You've been warned. :)
Ozymandias. For me, Matthew Goode as the beautiful face of consumerism & all that is good and fit is a miscast. It's not about him as an actor, and if it was any other character or movie, he would have been great. But in the novel version, Adrian Veidt/Ozymandias is a big body-building guy who was able to beat The Comedian to fruity pulp & throw him out of the window without any difficulties. Goode just doesn't seem like the guy who could do that. Also, novel-Ozy looked like a harmless guy, a retired superhero who was smart enough to quit and venture into business... and nothing else. Forgettable. Charming, unassuming face. Goode, from the get-go looked sinister. Like he had evil plans swirling around his head the moment he was born. He sneers, he smirks, he looked like someone who knows something that most do not. And that's where Goode's Ozy fails. But, I liked how he played the "assumed homosexual" part. Really nice.

Laurie Juspeczyk. Playing Silk Spectre II, Malin Akerman falls second on my Miscast List (there are only two of them on the list lol). She had her good moments & she did look alot like the novel-Laurie, but most of the time she felt flat. I liked the movie-Laurie better, but that's only because novel-Laurie is a whiny bitch who just uses her womanly wiles, whether it's intentional or not, to toy with her guys' feelings. It's interesting to note though that she is the reason for "jump-starting" both Dan's & Jon's waning passion to save the world. Although she used tears & her boobs for that. Girl power!

The ending. I had no problem with Snyder changing the alien ending of the novel into a typical "terrorist attack" angle - I guess he had to do that for easier explanation. Admittedly, the alien factor kind of surprised me a bit as well. Like woah where the hell did that come from? But I still prefer that. It's more tongue-in-cheek, has more comicbook vibe, like Ozy quoting Hitler, the bigger the lie the more believable it gets. And what's bigger than aliens, right? For me, the terrorist angle is cliched. Plus, if that's Ozy's way of uniting the world, is it really believable? Countries suddenly feeling mushy and peaceful and not blaming the U.S. for its haphazard handling of a powerful weapon (Dr. Manhattan)? The way the novel presented the alien angle & Ozy's logic, it's easily believable to unite the world against "alien invasion" rather than a terrorist mayhem, obviously, even though unwittingly, caused by one country. But that's not my real issue regarding the ending, it's actually Rorschach's ending. To me, the reason why the novel felt so perfect is because it depicted the imperfect world of vigilantes. We're all shown a dysfunctional, even sociopathic, lives behind those masks. How they fought for justice, and eventually fought against society's fear of them. And while most of them have hung their capes and went on with their "normal" lives, only Rorschach continued his fight against injustice. And that's the reason why I liked him. He is painted as a sociopath, the antithesis of a costumed hero (e.g. Bruce Wayne/Batman) - a smelly loner who lives in a dump, with an affinity for violence as a means to his end, and with a black & white view of the world. Yet, he is the real hero here. His real face is Rorschach's, Kovacs is only his alter ego. He refused to be domesticated by the government's Keene Act, because he felt the need to clean the streets reeking of evil. He never stopped being a hero. And how did Alan Moore kill him? He was blasted into pieces by Jon while Rorschach's only closest friend, Dan, is being all lovey-dovey let's-kiss-now-because-the-world-is-saved with Laurie inside Ozy's fortress. He was killed without anyone batting an eyelash. And there in lies the real tragedy, which is in continuance with the novel's theme or mood - that is the futility of everything they've worked for or they thought they were fighting for. We've seen that in the Tales of the Black Freighter, with Ozy's grandiose plan for utopia, and now with Rorschach. Like The Comedian upon figuring out what's really happening, he said it's all a joke. They're all pawns to society/government/whatever crap humans can think of, and history do tend to repeat itself, no matter what heroics have been done. And while the movie version was better for most, because of Dan's emotional reaction and Jon's hesitation before killing Rorschach which makes his death seem relevant, the fact is and my interpretation of the novel is that it IS irrelevant. Despite him being the only one who really cared for the world without any agenda, still, he is irrelevant. That's what made the novel perfect in its tragic and imperfect reality.

And now I've rambled on too much.

There are things that I really liked in movie. Carla Gugino as Silk Spectre, Jeffrey Dean Morgan as The Comedian, and Jackie Earle Haley as Rorschach. They fit in their roles perfectly and I was thoroughly entertained everytime they're included in the scenes. Patrick Wilson as Dan was good, still geeky, but a bit cooler than the novel-Dan. Dr. Manhattan is essentially the novel-doc come to life, but I was just annoyed with the glowing blue - it hurts my eyes. Oh and I love the owlship! :)

I just have to mention this, so the lesbian superhero & her lover were murdered for being "lesbian whores", and the "antagonist" is a possible homosexual. Hmmm. Is that tongue-in-cheek as well? Possibly. Hopefully. lol.

To finally end this, the novel is fantastic, not one page to throw away. And I'll say that the movie is a breath of fresh air. While The Avengers still remain my favorite ensemble cast superhero movie mainly because of its comic relief and Joss Whedon's execution (kill me now, pretentious bastards =P), Watchmen is the best adaptation in my opinion and it also stands out among all those influx of CGI explosion superpower extravaganza. But it also makes me wonder, is Snyder's adaptation really a good movie OR is it only because of the novel's intriguing content and great story? It's like re-painting Mona Lisa, maybe it could be done stroke by stroke, but is the essence really captured? Is the smile still as enigmatic? I think Snyder did a good job technically/visually-speaking, but I don't think he grasped the novel's totality or essence. But then again, can anyone do both? That is, to delve deeper into the complexity of the novel & the characters while remaining as faithful to the novel as Snyder has been?


My Rating:
(novel) - 5/5
(movie) - 3.5/5
- mainly for the technical/visuals



Check out MY ULTIMATE BOOK BUCKET LIST or the books I wanna read before I die!

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Thursday, July 18, 2013

Trance (2013)

Directed by:  Danny Boyle (Slumdog Millionaire, 28 Days Later)

Written by: Joe Ahearne, John Hodge


Country: UK

Genre:  Crime, Thriller
Running Time:  101 mins

Starring:  James McAvoy (Simon), Vincent Cassel (Franck), Rosario Dawson (Elizabeth)



"An art auctioneer who has become mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting." - IMDb




"The choice is yours. Do you want to remember or do you want to forget?"







The first 40 minutes, I was excited & impressed. I like James McAvoy, I think he's a really good & charismatic actor. And Vincent Cassel, in my opinion, always delivers. The movie pumps you up with an intriguing storyline, flashy & artsy camera shots & angles, thrilling scenes backed up with a really good musical score. Then enter Rosario Dawson. It has been a steady downward spiral from that point on. No, it's not because of her, although I thought she looked a bit tired 90 % of the film. It's the plot and the shameful use of hypnotherapy as the driving force of the whole movie. Hypnotherapy as the structure of the movie? That makes the plot shaky at best. The moment Rosario inserted herself in the scheme I found myself shaking my head more and more. 

Saturday, June 29, 2013

Mama (2013)


Director:  Andy Muschietti
Written by:  Andres & Barbara Muschietti
Starring:  Jessica Chastain (Annabel), Nikolaj Coster-Waldau (Lucas/Jeffrey), Megan Charpentier (Victoria), Isabelle Nelisse (Lilly), Javier Botet (Mama)


"Annabel and Lucas are faced with the challenge of raising his young nieces that were left alone in the forest for 5 years.... but how alone were they?" - IMDb



*    *    *    *



"A ghost is an emotion bent out of shape, condemned to repeat itself time and time again." - Dr. Dreyfuss' secretary


With Guillermo Del Toro's brand on the movie & the Muschietti's promising direction and story, Mama is one of the better horror films I have seen in the recent years. 

Tuesday, June 25, 2013

BOOK + MOVIE: Less Than Zero

Author: Bret Easton Ellis (American Psycho)
Country: United States
Year: 1985
Pages: 208
"The rich and spoiled children of Los Angeles have it all -- sex, drugs, fast cars, air-conditioned mansions. Theirs is a world shaped by television, rock music, and too much money; it is a world devoid of feeling and of hope. In a startling, staccato style reminiscent of music videos, Bret Easton Ellis re-creates this world in a dizzying journey through endless parties, seedy rock clubs, and the seamy underworld of drug dealing and prostitution. Haunting, unnerving, Less Than Zero is the inside story of a generation on a desperate search for the ultimate sensation."


Welcome to the world of the Lindsay Lohans, Paris Hiltons, & the Kardashians - and here I thought that Gossip Girl (tv show.. haven't read the books) was too much. Teenagers acting like adults, involved in a lot of sex, drugs, alcohol abuse which would probably make my mom froth in the mouth if she knew I was watching/reading about it.

The book sells itself as "The sensational national book-seller" - well, it is sensational indeed, to think this was published in the 80's, it actually surprised me that I felt appalled, offended, disturbed by what I was reading (I actually thought I have already been desensitized in this day and age of glorified teenage sex & drugs in media. How wrong was I?).

"Written on the bathroom wall at Pages, below where it says 'Julian gives great head. And is dead.': 'Fuck you Mom and Dad. You suck cunt. You suck cock. You both can die because that's what you did to me. You left me to die. You both are so fucking hopeless. Your daughter is an Iranian and your son is a faggot. You both can rot in fucking shitting asshole hell. Burn, you fucking dumbshits. Burn, fuckers. Burn.'"

I felt the angst, really.

"....and she thinks I want to hug her or something and she comes over to me and puts her arm around my back and says something like 'I think we've all lost some sort of feeling.'"

Sex, drugs, alcohol, nihilism. Disappear here. Decline. People are afraid to merge. Clay's detachment or numbness to what's happening around him. I really don't care. Like these kids who apparently have nothing to lose, aside from losing feeling, who resort to rape of a twelve year old girl, drugs, even jerking off to slasher/porn just to feel alive. The main character tries to escape that world, maybe he does, maybe he doesn't, I'm not sure... because I don't like him.

My Rating: 2.5/5 - I get the message. It's a life of ennui and indifference (it's interesting to see a group of kids already feeling this). Party after party, meaningless sex and faceless hook-ups. It's really a good close-up look in that world. And the stream of consciousness narrative works. It's not bad. But did I care for the story and characters? No. There's no connection, aside for the occasional pity towards the kids for the lack of parental love and guidance, and the shock and disgust at the horrible lifestyle of the rich, bored, and drugged. There's no satisfaction. The first word I actually uttered after reading the last page is "Fuck." A lazy, unsatisfied, yet a bit relieved "fuck."


* * * *

Directed by: Marek Kanievska
Screenplay by: Harley Peyton
Music by: Thomas Newman
Year: 1987
Running Time: 98 mins.
Starring: Andrew McCarthy (Clay), Jami Gertz (Blair),
Robert Downey Jr. (Julian Wells), James Spader (Rip)
Loosely-based is the operative word here. And thank god for that. In the book, it's all Clay. In the movie, I'm so glad they gave Julian the central focus, because Clay, for me, is just so damn negative and boring. I'm not saying Julian Wells is all sugar, spice, and everything nice, but at least he's got character. It works too that the actor portraying him is my favorite Robert Downey Jr. - every scene he's in, he steals the show. Andrew McCarthy, oh wimpy Andrew I have disliked you since Pretty in Pink, but I think he's an okay fit as Clay. Because Clay, to me, is just unlikeable. Although if you wanna look for the complexity of the "book Clay", then I don't think McCarthy could deliver in that aspect. He can do "detached" yes, "unlikeable" yes, "wimpy" yep, "complex"? uhmm no i don't think so. Jami Gertz, for me, is a miscast, I was looking for a prettier, more elegant Blair... and better-acting. James Spader did great as Rip.

One thing I like about this movie is that they gave spine and focus on the friendship of Clay, Blair, & Julian - which I didn't really see in the book. It gave the story more substance. But that's just me wanting to get something from it all. I know how Hollywood romanticize everything, and the book isn't that at all.




TRIVIAS (IMDb): 

  • Brad Pitt was paid $38 for his uncredited appearance. (Partygoer /Preppie Guy at Fight) (his second uncredited gig in his early career) 

  • Keanu Reeves was originally cast as Clay Easton. 
  • This is the first film that Robert Downey Jr. is billed as "Robert Downey Jr.". All films previous he was billed as simply "Robert Downey". 

The Verdict:

The movie version is a toned-down, infinitely cleaner & more positive take on Ellis' disturbing novel - it still has captured the decadent lifestyle of the characters, but less of the shock value the novel has presented. I say "more positive" because the characters had redeeming qualities here, which the novel lacked, and the ending was kind of a happy ending despite of what happened. The movie, I felt, went on a cowardly path because it basically changed everything in the book. The Blair-Clay approach of the movie is so typical of Hollywood and it's one of the movie's aspects that I really didn't like. Two things that make this movie legit and worth watching though is the music which gives you that wonderful 80's vibe, and Robert Downey Jr.'s moving performance.


My Rating: 3.5/5 - Not a great one, but if you're an RDJ and 80's fan, then this movie is for you. I gave an extra .5 or so rating mainly for Downey's presence.




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Thursday, June 13, 2013

BOOK REVIEW: Kafka on the Shore

Author: Haruki Murakami (2002)
Country: Japan
Published in English: 2005 (Vintage)
Pages: 505
“Taking crazy things seriously is a serious waste of time.” - Kafka on the Shore

In all seriousness, this is crazily one of the most serious books that seriously talks about serious craziness.

Talking cats, leech-rain, flying fish, a pimp Colonel Sanders, a cat-napping Jack Daniels, a flute made from cats' souls, some kind of Pleasantville purgatory, a backpacking 15-year old runaway with patricidal thoughts and oedipal complex, an illiterate old man talking to a stone.

Consider yourself warned.

Monday, May 20, 2013

Dementia 13 (1963)

UK Title: The Haunted and the Hunted

Director: Francis Ford Coppola (The Godfather, Apocalypse Now)

Writers: Francis Ford Coppola, Jack Hill

Starring: Luana Anders (Louise Haloran), William Campbell (Richard Haloran), Bart Patton (Billy Haloran), Eithne Dunne (Lady Haloran), Patrick Magee (Dr. Caleb)

Taglines:
"You Must Pass the "D-13" Test To Prepare You for the Horrifying Experience of Dementia 13. If You Fail the Test...You Will Be Asked to Leave the Theater!" 


"The Most Terrifying Screen Experience Of Your Life! A Brand New Concept in Motion Picture Shock! A Thrilling New Creation of Terror Thru Sight and Sound, Filmed Entirely in the Shock-Packed Process of Dementia 13!"


Plot Summary:

Although Coppola had been involved in at least two nudie films previously, Dementia 13 served as his first mainstream, "legitimate" directorial effort. 
The plot follows a scheming young woman who, after having inadvertently caused the heart attack death of her husband, attempts to have herself written into her rich mother-in-law's will. She pays a surprise visit to her late husband's family castle inIreland, but her plans become interrupted by an axe-wielding lunatic who begins to stalk and murderously hack away at members of the family. - Wikipedia

Go to this link for the full movie:

http://www.youtube.com/watch?v=dgpBuvMQ7GY


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Before anything else, I have to say that this poster is a bit distracting. The woman looks like she's wearing a weird top hat and she reminded me of The Cat in the Hat. And that tagline - i thought I was reading a flyer/poster for some guidance counselling or psych drugs.. Call our HOTLINE numbers and operators listed below!!!

Anyway, considering that this is a low-budget film, with a draft idea written overnight with Psycho as the model in mind, and a final script made in a few days, - the result is surprisingly good.  Dialogue is a bit stilted, and the plot is simple, the "big reveal" is not surprising, but Francis Coppola has managed to use everything to his advantage. Castle Haloran is a perfect setting for the gothic ambience of the film, shots were done in such a way that maximized the creepiness of the surroundings/props, and for a movie that's from the 60's it has a good dose of violence and blood and shows its lead actress in her undergarments.

The story is simple yet eerie and dark, the characters are interesting to watch especially Lady Haloran, Louise, and Dr. Caleb, and the horror scenes are chilling and effective without being campy. What surprised me a bit is the lack of red herring in the plot, I guessed who the killer was really early on and I kept thinking that it's too easy, that I will be proven wrong. But there was no surprise twist. The result of a rushed script.

But underneath the seeming simplicity of the plot and the stilted dialogue, lies a chilling story of a family plagued with an unspeakable horror and tragedy mingled with, as the title suggested, dementia. I really like the camera angles, the play on shadows/darkness, the dark looming facade of the castle, the perfectly placed "scares", the right amount of violence which I'm sure made the audience from that era cringe, and the tension-building musical score. 

The Verdict: 

This film is by no means along the level of Psycho, but it is relevant in its own way as this marks the debut of Coppola, and it's refreshing to see his take on a low-budget horror film and observe his techniques early in his career. He took the gothic, risque, and psychological elements of Psycho and put in his own flavor - the result is a cult classic horror movie that is still worth watching today especially if you are a fan of the horror genre or of Coppola.


My Rating: 3.5/5 =D  



What is your favorite Francis Coppola film?



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Tuesday, May 7, 2013

BOOK REVIEW: The Hunger Games (2008)

Author:  Suzanne Collins
Country:  U.S.
Genre:  YA, dystopian
Let's get the writing style comment out of the way: It's somewhere in the middle of "average, but okay enough" writing and "verging on appalling, poorly-written crap". Somewhere in between, probably a tad leaning towards the former.

What made this book a fun and worthwhile read is the story-telling and the pacing. I gotta give Collins credit here, she gave us this world of dystopian future (and while it's not really developed -- just a bunch of vague references about its history and such.) and the horror of poverty, hunger, violence, and political control that's quite interesting. I wouldn't dwell on the plot itself, because as I've said, this story was told in an exciting way so I'm willing to let go of the seeming plotholes and lack of plot/character development. I wouldn't even question the ubiquitous and invisible cameras (which couldn't focus much on trees because of the leaves, and yet it can capture every single scene that's happening inside an almost-covered mini-cave.) And I also thought there is a story behind that Cinna character, why he is so unlike the Capitol people, with his simple garments and neatly-cropped hair (which is obviously not the trend in that place.) - (highlight to reveal) but no, there was no big reveal.

I've finished this book very quickly, because of three things: pacing, plot, and Katniss Everdeen.

It's told through Katniss' point of view and while that could be a tremendous limitation and failing of any book, in this case, Collins managed to create a character interesting enough for readers to relate to. Yes she has a disillusioned attitude, but she is totally devoted to her family and she's loyal. She's smart, but painfully naive at times esp. when it involves her co-tribute Peeta Mellark. Those are the times which I can't help but roll my eyes, but then I remember that Katniss is a 16 year old girl who has been feeding her family even before she had the capacity to do it - so I forgive her for that. Let her be naive and confused about boys! Anyway, yes I have enjoyed seeing thru Katniss' eyes. (that's an example of a strong, independent, smart female protagonist. I would love Bella and Anastasia to be thrown into the arena as well. That's the part I would surely enjoy reading graphic violence.) The only downside is, the action is limited, and you already have the feeling that she will win the game because she's the narrator -_- Unless Collins shifts to another POV when Katniss dies, which is not a good idea for me.

The pacing kept you turning the pages, or in my case, swiping the screen to the left.

The idea of a dictatorial Capitol gathering teenagers from its oppressed districts to battle to their deaths in an arena is too much for me. Yes it could be possible, because humanity is really in a moral decline now and who knows how we would act in a dystopian future? But then again, these are kids. But okay, I mean, The Lord of the Flies, and Battle Royale, right? While there are no detailed graphic violence written, (except when a tribute had another one pinned down and was figuring out how to cut her up in such a gruesome way to provide unforgettable action for the audiences), but the fact that these are kids fighting for their lives, and some are even enjoying killing, for the sole benefit of the Capitol's entertainment and form of control, is disturbing. What is the purpose of this battle-to-the-death teenage version? Surely there are other ways to remind your districts not to rebel again right? In fact, I thought that by endangering the lives of teenagers yearly would ignite an even more fiery anger in the hearts of the people, but then again, this is not my novel. So fine. I'll bite.

** Twilight has "perfect/beautiful", Fifty Shades has "carnal desire" as their authors' favorite repeat words. This book has "arbitrary" -- it's only been used 3-4 times but i found it amusing to see it being used because it just stood out like a sore thumb among all the rest of the simple words in the page.

THE VERDICT:

While this is not a literary classic, it still has its own special flavor which makes it worth reading. It's enjoyable enough if you are willing to ignore the underdeveloped characters and kind of juvenile writing style. I'll put it maybe three to four shelves under Harry Potter, and six or seven shelves above Twilight.



MY RATING:
3.5/5 - I enjoyed it, but it'll probably just be a one-time read.



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