[MOVIEHOUSE MADNESS]: Interstellar (2014)

It's rare for me to be so confused after watching a film. Confused, not because of the plot, but because I was trying to gauge my feelings towards it. Did I love it? Did I hate the spine of the story? From standing up from my seat, to peeing, to walking out of the movie house, down the escalator, and to the parking lot, I was thinking. My mind was like in a jumbled time-space continuum, struggling, wondering, puzzling over the movie I just saw. Even on the way home, I was mostly silent, well, at a loss for words is more appropriate - which is unusual for me. Any other movie I would have been gushing or ranting.

What got me so confused is that for a highly anticipated movie, Interstellar made me feel overwhelmed and underwhelmed at the same time.

Directed by:  Christopher Nolan
Written by:  Jonathan & Christopher Nolan
Music by:  Hans Zimmer
Cinematography by:  Hoyte van Hoytema
Edited by:  Lee Smith
Running time:  169 mins
Budget:  $165 million
Box Office:  over $322 million

[MOVIEHOUSE MADNESS]: Guardians of the Galaxy and Why You Need To See It.

"MOVIEHOUSE MADNESS" is when I review films currently shown in theaters. Also, I rarely watch new releases in the cinemas, but when I do, there are always face-palming incidences that make me regret going. So humor me and let me tell you what I think before you waste your ticket money, while refreshing your memory of the ABCs of movie house etiquette!

Guardians of the Galaxy is one of those movies which you think will suck so bad that you go to the cinemas expecting nothing more than the obligatory action, snarky characters, & CGI fest. Cliched and trying hard to be the next big Marvel blockbuster. A wham bham thank you mam kind of thing. But then you're proven wrong. And then it makes you happy and wanting more. It was so good that you let it slide when the guys behind you are constantly discussing the characters as if nobody else knows who they are. I didn't even have the urge (not once) to poke those people's eyes with a stick for coming in halfway through the movie with their flashlight on as if they're on a search and rescue mission. No. I was too busy being entertained by GotG. That's how good it was!

Noah & Son of God (2014): Just waiting for Batman to save the day.

Noah (2014)

Thought-provoking yet bland, this modern retelling of a popular biblical story seemed to be doomed from the beginning, but considering the name behind this seeming big blunder of a movie actually makes you think twice. Is it really a grand yet failed attempt or is it an epic fail done on purpose? Stone giants, a family drama worthy of a cheesy tv series, a womb-healing Methuselah crazy for berries, and - wait for it- "Be fruitful AND MULTIPLY!" -- for a moment I'm at a loss for words.

Directed by:  Darren Aronofsky
Written by:  Darren Aronofsky, Ari Handel
Cinematography by: Matthew Libatique (Requiem for a Dream, Black Swan)
Edited by:  Andrew Weisblum (Fantastic Mr. Fox, Black Swan)
Music by:  Clint Mansell (Black Swan, Stoker)
Distributed by:  Paramount Pictures
Running Time: 138 mins
Budget: $125 million
Box Office: over $350 million

This movie a freakin' soap opera. It's a pity to see Anthony Hopkins & Russell Crowe in this film, though admittedly, this movie would be kaput without Crowe. It also hurts me to see Emma Watson in here (it's the end of the world and you risk missing the trip to Titanic, err Ark, just so you could get it on with your sexy sexy love the minute Mr. Berry Man Methuselah lightly touches your abdomen?). Uh huh.

[BOOK + MOVIE]: The Turn of the Screw and The Innocents

In BOOK + MOVIE, I feature one book and its film adaptation(s) and tell you if the movie versions are as good as the source material. I'm quite aware that films & novels are different mediums, but I'm only comparing the general mood and how it affects me as a reader & viewer.

With a plethora of movies nowadays with "I-betcha-didn't-see-that-coming" plots, sometimes, I just wanna think that The Innocents is just a simple ghost story. But after reading Henry James' The Turn of the Screw, I'm convinced that there's more to the story than ghosts or delusional protagonists. The way James wrote almost everything in an ambiguous way that forces the readers to decide and convince themselves what really happened makes this one of the best novella of its kind that I've read.

Author:  Henry James
Year Published:  1898
# of pages: 157
Genre:  novella, horror gothic fiction
Country:  U.K., U.S.

Baffling us by clearly indicating that the main character could be unstable, and the one character that supports her could also be unreliable in a way that it's clear she's submissive, while supplying us with sufficient head-scratching moments coming from the uncannily intuitive children, makes us reconsider the plausibility of otherworldly presence in the house.

Are there really ghosts? Or are there just loose screws in The Governess' head? That's just what makes this story stand out.

[MOVIEHOUSE MADNESS] Transformers: Age of Extinction (2014)

"MOVIEHOUSE MADNESS" is when I review films currently shown in theaters. Also, I rarely watch new releases in the cinemas, but when I do, there are always face-palming incidences that make me regret going. So humor me and let me tell you what I think before you waste your ticket money, while refreshing your memory of the ABCs of movie house etiquette!


Sometimes, I think Michael Bay is really just a teenage boy on crack who is obsessed with his robots & cars & explosions - like a kid playing with his toys & bumping them against each other and not caring about anything else. Because that's evident yet again in his recent blockbuster movie, a term that I will grudgingly use in this post. It's not a movie, it's more like an extended video of metal clashing against metal & mind-numbing explosions, and product placements here & there - this is not a film, it's an over-sized boy's overindulgent wet dream.

Directed by:  Michael Bay
Written by:  Ehren Kruger (The Ring, Transformers 2 & 3, Scream 3 & 4)
Music by:  Steve Jablonsky (Gangster Squad, Ender's Game, Lone Survivor)
Cinematography:  Amir Mokri
Running Time:  165 mins
Budget:  $210 million
Box Office: $381 million and counting

Unfortunately, the way Michael Bay's indifference to critics' plea for a better plot & characterization, arrogantly justifying his lack of effort to make a substantial film that's more than loud explosions and crazy-ass robot action, this franchise is seriously losing its appeal to me. Not that I matter when it comes to its box office returns. That's the problem. WE don't matter. Whether we like the Bayformers or not, MB, with the gratuitous urging from Hollywood big guys, will continue to do whatever he does best because they know the money will keep on flowing. A few harsh words & negative reviews won't hurt this franchise, because as Bay have said, people are gonna see it anyway. Haters gonna hate, he'd still be riding Bee all the way to the bank. Besides, this franchise will continue to thrive, not because of Michael Bay, but because this is Transformers. Giant talking alien robots-slash-cars, man! That'll never get old! (I'm still waiting for Voltes V though, c'mon Hollywood!)

SOME RECENT MOVIES: The Raid 2, 300: Rise of an Empire, Oculus

Here are my reviews of The Raid 2, 300: Rise of an Empire, and Oculus

THE RAID 2 (BERANDAL)

Written, Edited, & Directed by:  Gareth Evans
Running Time: 150 mins
Budget: $4.5 million
Box Office: $5.2 million
*subtitled*

Large-scale, more ambitious, yet as tight & tense as the first one - Berandal is a must-see even for those who aren't into Asian movies. If The Raid hasn't changed your mind, this one will.

This is best seen uncut and subbed. Never watch a foreign movie with English dub.

I really loved The Raid despite the lack of plot & dialogue. I couldn't imagine how Gareth Evans could up the ante and make an equally engaging action movie. Now, obviously trying for complexity & character development, Evans serves us, not only a platter, but a buffet of interesting characters, unending action & gore, and a storyline that's bigger than a dilapidated building with cramped hallways. It may take several minutes into the film to be able to memorize all those names (especially if you're also trying to recall the names in the first film) but hey you know what? It doesn't matter. The minute the action starts, every little detail in your mind melts as you witness an insane amount of bone-crunching, blood-spurting, throat-gashing, jaw-breaking, ball-breaking, hammer-gouging scenes for more than two hours. While that amount of time may usually be a weakness to typical action flicks as they may need some time to cool down, Berandal just keeps on going and going and going with the same intensity as when it started - that is if not more.

[MOVIEHOUSE MADNESS]: It's CGI weekend with Maleficent and the Mutant peeps!

"MOVIEHOUSE MADNESS" is when I review movies currently shown in theaters. Also, I rarely go to movie houses, but when I do, there are always face-palming incidences that make me regret going. So read on before you waste your ticket money while refreshing your memory of the ABCs of movie house etiquette!

NOW SHOWING: 

Here are my spoiler-free reviews of Maleficent & X-Men: Days of Future Past and why you should (or shouldn't?) watch them. Oh and for one second I thought I saw Michael Jackson transform into a human ball of fire, but no, it's just Sunspot. O_O 

5 Reasons Why I Love THE SOUND OF MUSIC

"I go to the hills, when my heart is lonely... I know I will hear, what I've heard before... My heart will be blessed by the sound of music, and I'll sing once more."

Directed by:  Robert Wise
Starring:  Julie Andrews, Christopher Plummer
Screenplay by:  Ernest Lehman
Cinematography by:  Ted McCord
Editing by:  William H. Reynolds
Music by:  Richard Rodgers (music & lyrics)
Oscar Hammerstein II (lyrics)
Irwin Kostal (musical score)
Running time:  174 mins
Budget:  $8.2 million
Box-office:  more than $286 million

"The Sound of Music is credited as the film that saved 20th Century Fox, after extreme high production costs and financial losses incurred by Cleopatra (1963) that almost bankrupted the studio." - Wikipedia

Well, I credit The Sound of Music as the film that never fails to save me, after extreme stress and depressive episodes incurred by Life that almost always bankrupts my soul. There's something so happy with this film, that the moment I see Julie Andrews up in that mountain (or hill), all of my problems melt away. Maybe it's because this movie was a big part of my childhood and it reminded me of the time when I felt safe & without any real-life worries. It's a comforting, nostalgic trip.

Without further ado, here are five reasons why The Sound of Music still remains my all-time favorite movie.

Veronica Mars (2014): And We Thought She Was Out

I'm a Marshmallow, and I'm an addict.

Directed by:  Rob Thomas
Screenplay by:  Rob Thomas, Diane Ruggiero
Music by:  Josh Kramon
Cinematography by:  Ben Kutchins
Editing by:  Daniel Gabbe
Running Time:  107 mins
Budget:  $6 million (Kickstarter)
Box Office:  over $2 million (already considered a success)

There are spoilers in this post, but rest assured you'll be warned.

It's been 7 years since the series ended, 9 years after the events of season 3. I never thought (imagined, yes) I would see this gang again. Hearing "We Used To Be Friends" sung by some street performer a few minutes into the film, goosebumps crawled all over me, and I can't help but scream "Oh my god, oh my god, the feels, the feeeeeelssssss!" repeatedly. That part alone makes the wait so worth it. 

Pure happiness, is what I'm feeling. I watched VM twice in one week.

So did this movie deliver?  

(Back 2 Back) OLDBOY: Park Chan-wook VS. Spike Lee

Back 2 Back is my comparison review of an original film and its remake/s. 

In this post, I will be reviewing Park Chan-wook's Oldboy (2003), and Spike Lee's 2013 version.

 Loosely based on the Japanese manga, Old Boy, written by Nobuaki Minegishi & Garon Tsuchiya

      (2003) Directed by:  Park Chan-wook                                     (2013)  Directed by:  Spike Lee
       Starring: Choi Min-Sik, Yoo Ji-tae, Kang Hye-jung                         Starring: Josh Brolin, Sharlto Copley, Elizabeth Olsen
       Running Time:  120 mins                                                           Running Time:  104 mins                                                                      Budget:  $3 million                                                                      Budget:  $30 million
       Box Office:  almost $15 million                                                Box Office:  almost $5 million

Let me just say this first: NO I don't care that a remake of Oldboy has been done. I have stopped hating on remakes for awhile now. To those who keep on saying that it's a disgrace to the original blah blah (and I'm speaking generally here), that the original should never ever ever have been re-made etc. etc., all I can say is this: remakes, however unnecessary, are inevitable & to be expected. There will always be other attempts to re-create or surpass what we deem as an already great work of art. Why? Because humans are perfectionists.. or we just love to rip off stuff (and by we, I mean Hollywood). And while the remakes are usually sub-par & disappointing, to me, that's part of the fun. It only makes the original shine brighter, and those who haven't even heard of it in the first place might be curious enough to want to watch it - and isn't that a good thing? Lastly, a bad remake would never be a disgrace to the original because they are two separate films, made by different directors, with different casts - the only one disgraced or put in a bad light is the one who made the remake. So guys, chill!

Now let's talk about the movies.

I'll go straight to the point. There's no contest here, the 2003 version is a masterpiece, and obviously the superior film between the two. I'm pretty sure anyone who have seen both movies will agree and won't need any convincing. 

But just humor me, here are the reasons why the South Korean film is great, while the Hollywood remake is just average at best.

Her (2013)

"I feel like I can be anything with you."

Set in the future, Her is about a man who fell in love with his female operating system (It's Scarlet Johansson, what testosterone-infused human being wouldn't? LOL). Sounds silly? Not really. In this internet age, every kind of relationship is possible. Who's to say that falling in love with someone you haven't even seen is not right? You talk to that "person" every single day, you share your innermost thoughts, your dreams, your feelings. You tell that "person" everything without second thoughts. You "connect" with that "person." Who's to say that's not love?  This film gives us a closer look & a wider understanding of what a relationship is, conventional or not. Love is universal. Emotions are real as they are felt.

Directed & written by:  Spike Jonze (Being John Malkovich, Adaptation)
Starring:  Joaquin Phoenix, Scarlett Johansson, Rooney Mara, Amy Adams
Music by:  Arcade Fire
Cinematography by:  Hoyte van Hoytema (Let the Right One In, The Fighter)
Editing by:  Eric Zumbrunnen (Being John Malkovich), Jeff Buchanan
Running Time:  126 mins
Box Office:  a little over $23 million

Her is cinematically beautiful, that's undeniable. The romance underneath the almost tangible melancholy is so bittersweet you can't help but feel it... get affected by it. You can't look away, even when you're witnessing a somehow laughable but sweet sex scene from Joaquin Phoenix and Scarlett Johansson.

12 Years a Slave (2013)

Forget about racism. Forget about this film being just an Oscar bait, or whatever negative people say about 12 Years a Slave. I'm just gonna tell you why this is such an epic film for me, without expounding on its socio-political/historical relevance.

McQueen's patient direction in contrast with the cast's intense & nuanced acting, along with the awesome music makes this unbearably painful film beautiful. His scenes are so atmospheric, you can't help but get chills because you feel the weight of everything you're seeing. Even when there's seemingly nothing going on, it's actually those scenes where you feel the most.

Directed by: Steve McQueen (Shame)
Starring: Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Lupita Nyong'o
Screenplay by:  John Ridley (Undercover Brother)
Based on Twelve Years a Slave (Solomon Northup)
Music by:  Hans Zimmer
Cinematography by:  Sean Bobbitt (The Place Beyond the Pines, Shame)
Editing by: Joe Walker (Shame)
Running Time:  134 mins
Budget:  $20 million
Box Office:  over $97 million

Before watching this, I was really rooting for Leonardo DiCaprio to win Best Actor. I still am (because I effin' love Leo!!), but I really think that Chiwetel Ejiofor deserves to win this award. With Michael Fassbender's awesome-in-a-psychotic-way Master Epps to torment Solomon Northup (Ejiofor), Chiwetel's subtle acting (suffering) resonates all the more. They complement each other. I love every bit of screen time they share together. 

The cast is great. Even the smallest actors on set gave great performances. It shocked me that the scene which made me cry (the first time) was not because of the main characters, but from someone who I only saw for several seconds. The scene where Patsey was being given some salve for her back, the woman applying it caught my attention. Suffering in silence, forced to accept whatever fate their masters decide for them, all they can do is cry silently - that's what I got from that woman's acting. It was actually so great that Lupita's scene was overshadowed because I was already bawling like a hungry kitten even before the camera zooms into her anguish-filled expression. 

The Wolf of Wall Street (2013)

A three-hour long spectacle of gratuitous debauchery, of people & their unrestrained pursuit to satisfy their id, of characters long blinded by greed that they forgot how to be real human beings, and of shallow characterizations & plot - or the lack of it.

This could have given you a sour taste in your mouth & a giant hangover if it wasn't for Scorsese's unrestrained playfulness & DiCaprio's psychotic charm.

Directed by:  Martin Scorsese (The Aviator, Raging Bull)
Starring: Leonardo DiCaprio, Jonah Hill, Margot Robbie
Screenplay by:  Terence Winter (Boardwalk Empire)
Based on Jordan Belfort's The Wolf of Wall Street
Cinematography by:  Rodrigo Prieto (8 Mile, Brokeback Mountain)
Editing by: Thelma Schoonmaker (worked with Scorcese for over 40 years)
Running Time:  179 mins
Budget:  $100 million
Box Office: over $222 million

It's funny how you read on movie boards that The Wolf of Wall Street is one of the funniest comedies/best movies/"insert your own hyperbole" of 2013, and see on the next page that it's so goddamn awful that people have walked out of the theaters. And the same people insisting how juvenile or stupid others are for liking this movie. I say, to each his own - but let me share my thoughts regarding some of the reasons people didn't like this film.

Belle, Beast, being different, and a lot of ranting

Beauty and the Beast has always been my favorite Disney movie. Why I fell in love with it as a kid, I'm not too sure now, but it's probably because of the fascinating characters, the music, the mysterious "enchanted castle" & its master, Belle, and of course - the library. That sense of amazement & slight envy that I've felt is something that was etched in my mind and my heart for a very long time.

Until now, one of my biggest dreams is to have my very own library. Sigh.

Now, fifteen or twenty years later I finally re-watch this and wow what a trip! The first thing I notice is how beautiful Beauty and the Beast is. That opening sequence is amazing. The animation, the colors, the imagery - it looks really sophisticated, something that you don't always see in this age of modern animation.


Then Belle started singing on her way to the town. And memories came crashing down on me like a tidal wave. It felt so good that I turned on the subtitles and sang along. I rarely do that. Only when I'm watching The Sound of Music. It gave me chills listening to that song as an adult and understand the words.

Frozen (2013): Oh how times are changing!

Finally, a progressive princess movie that has caught up with the times. 

I grew up watching Disney cartoons and while I love my 90s princesses, I have never thought about emulating them (except Belle, I mean who wouldn't want to be her after Beast gave her that library??? *chills*). My point is, even as a kid I already knew how lame these girls were. Weak damsels-in-distress, submissive little fools who only sang about finding their Prince Charming (Mulan's reflection might scowl in disapproval.. Pocahontas somberly nodding her head while painting with all the colors of the wind). Times have changed. Disney really needed a revamp. And with the increased rate in divorce, teenage elopement, and unplanned pregnancies, don't you think it's about time this generation sees a 21st-century princess? Seriously. 

And that's why I love Frozen. (Sorry, I haven't watched Brave yet. *EDIT:  I've watched Brave, and yes, it's also something about an independent female who refuses to bow down to society's expectations. And I love it. But it focuses more on the mother-daughter angle, while Frozen also has its own storyline.) 

August: Osage County (2013)

A black comedy-drama about a dysfunctional family with a penchant for dining table hysterics.

"Eat your fish, bitch!"

Directed by:  John Wells (The Company Men)
Written by:  Tracy Letts
Music by:  Gustavo Santaolalla (Brokeback Mountain, Babel)
Cinematography by:  Adriano Goldman
Editing by:  Stephen Mirione (Traffic)
Running Time:  120 mins
Budget:  $20 million
Box Office: over $24 million

In one scene where Violet (Streep) was running away from the car (where to, I don't know.) - just watching her running - just running - and Roberts finally catching up and telling her "There's no place to go." suddenly gave me that feeling of wanting to be an actress. Not for the fame or glamor, but to live forever because she will be watched & admired by generations to come. Damn it MERYL STREEP IS GONNA LIVE FOREVER! This woman is so great she gave me the "feels" just by running! C'mon! Give this lady an Oscar! She probably won't win though. Too bad, she is incredibly fascinating in this movie. That can also be said about Julia Roberts. 

Captain Phillips (2013)

A compelling drama and a pulse-pounding thriller that was given more depth & relevance because of Tom Hanks' notable performance - subtle, controlled... until you see him break down. 

"The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years."

Directed by:  Paul Greengrass (Bourne Supremacy)
Starring:  Tom Hanks, Barkhad Abdi
Written by:  Billy Ray (The Hunger Games)
Based on:  A Captain's Duty (Richard Phillips with Stephan Talty)
Music by:  Henry Jackman (Wreck-it Ralph)
Cinematography by:  Barry Ackroyd (The Hurt Locker)
Editing by:  Christopher Rouse (The Bourne Ultimatum)
Running Time:  133 mins
Budget:  $55 million
Box Office:  over $214 million

This film received six Oscar nominations including Best Picture and Best Supporting Actor for Barkhad Abdi. Abdi received numerous nominations for his role as pirate leader, Abduwali Muse, and deservingly so. I think he delivered a very good performance considering he was sharing the same screen with Tom Hanks. Surprisingly, Hanks, despite his solid portrayal as the titular character, wasn't included in the final list of Best Actor nominees - a questionable deed especially after seeing that goosebumps-inducing, heartstrings-tugging performance he did in that finale! Understandable though, because there are better performances given by other actors. 

Seriously though, Tom Hanks is in his best form. Despite his calm demeanor all throughout his character's ordeal, you can see his fear & struggles through his eyes. This man is awesome.

All About Eve (1950)

A self-important critic, an aging star, a cuththroat newbie, a writer & his wife, a ditzy starlet - a perfect recipe for trouble in the world of entertainment. 

 All About Eve is basically a peep in the world of theater (or Hollywood for that matter) with all its stereotypical characters and all the maneuvering they do just to stay where they are or get ahead in the business - it's a mean, mean world.

Written & Directed by:  Joseph L. Mankiewicz (A Letter To Three Wives)
Starring:  Bette Davis, Anne Baxter, George Sanders, Celeste Holm
Music by:  Alfred Newman (The Best of Everything)
Cinematography by:  Milton R. Krasner (Three Coins in the Fountain)
Editing by:  Barbara McLean (Wilson)
Running Time:  138 mins
Budget:  $1.4 million
Box Office: $8.4 million

"Margo is a great star, a true star. She never was or will be anything less or anything else." Such words can be said to Bette Davis as well. I have loved her in What Ever Happened to Baby Jane? (click link for my review) and as I slowly discover her films, it becomes apparent to me that she is one of the greatest actresses ever. I love her. It's funny because I have only seen three movies of her and yet my idolatry is already worthy of another tablet-throwing Moses-tantrum. Thank god Claudette Colbert had to withdraw from the project, as much as I respect her, I don't think she would have done what Davis did to this role.

QUICKIES: The Smiths before & 7 years later, and The Usual Suspects

Either I'm too lazy at the moment, or the movie does not deserve a full review. Here are my straight-to-the-point reviews, QUICKIES if you will, of AFTER EARTH, THE PURSUIT OF HAPPYNESS, and THE USUAL SUSPECTS.

The hunt for courage, happyness, and Keyser Soze.

The Hobbit: The Desolation of Smaug (Peter Jackson, what have you done?)

Going beyond two movies for a 300-page book... lies the greatest danger of all.

This may be actually the first time that I'll complain of an adaptation (of a book that I love) being unnecessarily prolonged. Seriously, a trilogy? Of one little book? While the first installment was enjoyable though in a juvenile way, it becomes apparent in Desolation of Smaug the fillers that Peter Jackson has to add just to make the main plot last all the way to the third installment. And that irks me. It really does. It would have been kick-ass if it was a two-part adaptation, but a trilogy it never should have been. 

The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug. Bilbo Baggins is in possession of a mysterious and magical ring.

Directed by:  Peter Jackson
Screenplay by:  Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo Del Toro
Music by:  Howard Shore (LOTR, The Aviator, High Fidelity)
Cinematography by:  Andrew Lesnie (LOTR, I Am Legend)
Editing by:  Jabez Olssen (The Lovely Bones)
Running Time:  161 mins
Budget:  $225 million
Box Office: over $600 million