Showing posts with label 5-STAR RATING. Show all posts
Showing posts with label 5-STAR RATING. Show all posts

Monday, November 2, 2015

BOOK REVIEW: Norwegian Wood by Haruki Murakami

Author:  Haruki Murakami
Country:  Japan
# of pages:  296
Year:  1987
Norwegian Wood is so beautiful that the minute I closed the book, a deluge of conflicting emotions swelled inside me, overwhelming me with feelings and thoughts that only a great piece of literature could ever do. I felt like crying and wasn't even sure why. Excuse me for being sappy. It's a rare occurrence, believe me.

Of course, the book isn't without flaws. While I identify and relate with most of the characters, there are instances where I question myself if I could actually believe this guy or that gal. Sometimes I find their lifestyle or attitude unrealistic. It reminds me of those Japanese manga boys that are too mature to be true - drinking whiskey, having sex (and being so gosh darn good at it) etc. etc. But that's just a minor issue for me. Maybe that's how teenagers were in that era. It's highly possible. We all are different after all. And I welcome the straightforwardness of the story. It was a simple narrative riddled with real human emotions - what's more effective than that?

Murakami writes about isolation, emptiness, grief, and loss, and then he messes you up by adding love and warmth, friendship, or whatever it is that keeps people going in this dark & insane world - all in one book. There's always a feeling of heaviness in his themes that is hard to shake off even after you're done with the book for quite some time. This is why I could never read one Murakami book after another. It will destroy me.

It's ironic, really, connecting with the characters' disconnect, sensing hope in their hopelessness, seeing a glimmer of light in their darkness, and finding comfort in their utter sense of isolation. You just connect, one way or the other, whether you see yourself in Kizuki, Hatsumi, Reiko, Naoko, Nagasawa, Watanabe, Midori or even Storm Trooper, whether you have an intense need to be loved or have that warmth inside or to not feel anything at all, not knowing where you are, just empty... whatever. It's all in this book.

Surprisingly though, despite all the heavy stuff I mentioned, Norwegian Wood turned out to be a fairly easy read for me. A lighter story than Murakami's usual style that didn't leave me feeling dark and bogged down, pretty much like what Kafka on the Shore  did to me.

It's just perfect. I could re-read this over and over through the years like Watanabe trying to recall his dimming memories of the past, reliving the intensity of each past experiences. This book makes me feel.

I love it.

I love that it tore me apart and then patched me right back up and destroyed me all over again.

I love Midori. I connected with her the most. Without her, I wouldn't even bother writing a review, it just wouldn't be worth it. Midori symbolizes everything that is beautiful in this life. That even when you long for death, even when your soul have died several times and you go through the motions waiting for that sweet moment of release from this world, you see things that makes life worth living. A beautiful sunset, a strong cup of coffee, a great book, deep conversations, wind on your face, fresh sheets etc. That's Midori. She reminds you that despite the bad in this life, there's also good in it. And you only need to live day by day, be honest and brave, and just feel. Suck it up and feel.

“Just remember, life is a box of cookies. You know how they’ve got these cookie assortments, and you like some but you don’t like others? And you eat up all the ones you like, and the only ones left are the ones you don’t like so much? I always think about that when something painful comes up. ‘Now i just have to polish these off, and everything’ll be O.K.’ Life is a box of cookies.” - Midori




If you're a Murakami fan, what book would you recommend for me to read next?



Thank you for reading! :) Like/Share this post or Follow my blog (I'll follow yours back) and don't forget to leave a comment below, let's talk!
You can also follow me on:
Tumblr: Ravings of a Madwoman
Goodreads: Lucresia Strange
Letterbox'd:  lucresiastrange
My personal blog: Ravings of a Madwoman




Sunday, August 10, 2014

Sana Dati (2013): IF ONLY we have more of these films instead of our usual dose of Love/Sex/Cheat-All-You-Can mainstream melodrama.

It's so rare for me to rave about a Pinoy movie, but that's not to say that there aren't any good Filipino movies out there. Obviously there are, somewhere, out there - but the ones shown in theaters are either downright silly or blatant money-milking franchises that it makes me cringe knowing that the Philippine Cinema is eating dust from other Asian countries because the movie industry continues to spurt turd after turd of soulless movies simply because it's what the majority of the audience wants.

It's only sometimes that I watch local movies, but when I do, I try to find quality films. Most of it I couldn't see even if I wanted to. But sometimes, just sometimes, I manage to find such gems and it makes my soul cry to witness such beauty and yet it goes unnoticed by most of us. I have raved about Erik Matti's On the Job, but I'm here to talk about another film.

Screenplay & Directed by:  Jerrold Tarog
"If Only" 
(with english sub)
Running Time: 100 mins
Country: Philippines 
Sana Dati is a 2013 romantic drama film by Jerrold Tarog, as the final installment of his Camera trilogy (which I haven't seen), and which competed in the prestigious Cinemalaya festival and reaped raves and awards, one of which is Best Film.

I'm so glad I have managed to see this and I wish that it gets a wider release. While watching, I wonder why we can't get such films of this quality a mainstream release. I wonder why people continue to ignore films which gives us stories that pluck at the innermost strings of our emotions, and yet feed such drivel that only have pseudo-witty one-liners and slapstick humor and shameless product placements. It's a pity.

What I like about this film is its simplicity. I'm not saying it lacks depth or sophistication because it also has that. Sana Dati is a quiet beauty. Everything is natural. The acting is heartfelt, the script is striking, the cinematography is beautiful, and the direction is simply masterful.

Sunday, July 20, 2014

[BOOK + MOVIE]: The Turn of the Screw and The Innocents

In BOOK + MOVIE, I feature one book and its film adaptation(s) and tell you if the movie versions are as good as the source material. I'm quite aware that films & novels are different mediums, but I'm only comparing the general mood and how it affects me as a reader & viewer.


With a plethora of movies nowadays with "I-betcha-didn't-see-that-coming" plots, sometimes, I just wanna think that The Innocents is just a simple ghost story. But after reading Henry James' The Turn of the Screw, I'm convinced that there's more to the story than ghosts or delusional protagonists. The way James wrote almost everything in an ambiguous way that forces the readers to decide and convince themselves what really happened makes this one of the best novella of its kind that I've read.

Author:  Henry James
Year Published:  1898
# of pages: 157
Genre:  novella, horror gothic fiction
Country:  U.K., U.S.
Baffling us by clearly indicating that the main character could be unstable, and the one character that supports her could also be unreliable in a way that it's clear she's submissive, while supplying us with sufficient head-scratching moments coming from the uncannily intuitive children, makes us reconsider the plausibility of otherworldly presence in the house.

Are there really ghosts? Or are there just loose screws in The Governess' head? That's just what makes this story stand out.

Thursday, May 22, 2014

Fritz Lang's "M" (1931)

First of all, let me get this out of the way: Peter Lorre, my oh my what big eyes you have! To better find poor little kids and lure them into your big candy-filled trap perhaps! 


Directed by:  Fritz Lang
Written by:  Fritz Lang & his wife Thea von Harbou
Based on:  a newspaper article by Egon Jacobson
Starring:  Peter Lorre
Music by:  Edvard Grieg
Cinematography by:  Fritz Arno Wagner
Editing by:  Paul Faulkenberg
Running time:  109 mins
*subtitled*
Big, frog-like eyes accentuating that baby face with an unassuming facade - that's what makes Hans Beckert, played by "the male Bette Davis" Peter Lorre, one of the most unforgettable villains in any film I've seen. With a touch of innocence and malice, Lorre handles this character so well that even I was confused when it's time to "judge" him. Not too confused though that I forget the unspeakable horror this guy has brought upon this town. This is what makes him more scary. Sure, Leatherface might make you crap your pants when you find yourself face to face with him wielding a chainsaw in some woods, but men like Norman Bates or Hannibal Lecter makes your skin crawl with dread knowing that their kind is freely roaming our streets, all charming and innocent-looking, while in their minds their all thinking of ways on how to skin us alive. That's the horror that we face everyday. That's Beckert - the wolf under the sheep's clothing. The devil hiding under the mask of an angel. 

Tuesday, February 18, 2014

QUICKIES: Some Oscar-nominated 2013 movies

Here are my quick reviews of American Hustle, Blue Jasmine, Dallas Buyers Club, Inside Llewyn Davis, Nebraska, Philomena, Rush, and Lee Daniels' The Butler.


Sunday, January 26, 2014

Belle, Beast, being different, and a lot of ranting

Beauty and the Beast has always been my favorite Disney movie. Why I fell in love with it as a kid, I'm not too sure now, but it's probably because of the fascinating characters, the music, the mysterious "enchanted castle" & its master, Belle, and of course - the library. That sense of amazement & slight envy that I've felt is something that was etched in my mind and my heart for a very long time.

Until now, one of my biggest dreams is to have my very own library. Sigh.


Now, fifteen or twenty years later I finally re-watch this and wow what a trip! The first thing I notice is how beautiful Beauty and the Beast is. That opening sequence is amazing. The animation, the colors, the imagery - it looks really sophisticated, something that you don't always see in this age of modern animation. 


Then Belle started singing on her way to the town. And memories came crashing down on me like a tidal wave. It felt so good that I turned on the subtitles and sang along. I rarely do that. Only when I'm watching The Sound of Music. It gave me chills listening to that song as an adult and understand the words.

Sunday, January 12, 2014

On The Job (2013)

I can't wait for the Hollywood remake, not because I think they will make a better OTJ (nah! this one is already perfect.) but I'm just excited to see a well-deserving Filipino movie recognized and introduced to a bigger audience. Universal Pictures already acquired the rights for OTJ and the remake will be written, directed, and produced by Icelandic filmmaker Baltasar Kormakur (2 Guns), with Bryan Cranston (Breaking Bad) as a possible casting choice for the role of Tatang.

Directed by:  Erik Matti (Tiktik: The Aswang Chronicles, Rigodon)
Written by:  Michiko Yamamoto, Erik Matti
Music by:  Erwin Romulo
Cinematography:  Francis Ricardo Buhay III
Editing by:  Jay Halili
Running Time:  121 mins

From start, to the heart-pounding climax, up until the final scene, I was enthralled. 

This movie is beautiful despite the fact that it depicts the dirtier aspects of our country - geographically, politically, socially speaking. Seriously, this movie is perfect for me. I was actually speechless for most parts. Just superb. 

Four highlights. Gerald Anderson. Given that it's a bit of a stretch how such a pretty boy mestizo can be cast as an inmate/assassin, still, he shone as an adorable fledgling under the wings of Tatang. With just the right amount of grit & bravado his character needs, Anderson managed to convince us he is right for the role. Joey Marquez. I can't believe how vital his portrayal is to this movie. He could easily be mistaken as a miscast, but then we will be wrong. He brings in a subtle comic relief as well as some father-son scenes that will tug at your heartstrings, and it's so damn good to watch. One of his best performances I've seen (though I haven't seen a lot). Leo Martinez. There are no small roles, only small actors. And he's definitely not a small actor. He embraced his role, plain and simple. Joel Torre. I don't even need to say how good an actor Joel is, we all know that. But Jesus H. Christ he is GOD in here! Two scenes that gave me chills: In the climax/ending, just before he went out of jail, and after he went out. O_O

There's maybe one thing that I didn't like - the sex scenes. Halfway through I smiled and said to myself "it's nice to see a movie of this genre with no sexual scenes at all." Spoke too soon didn't I? I just thought it wasn't needed at all.

In conclusion, this movie is a must-see for everybody. I wish I see more of this in mainstream Pinoy cinemas. Everything is well put together, the music is exciting, the editing and cinematography is professionally done, the story is tight, the camerawork is engaging (a work of art, a labor of love. It's that good), the opening scene captures your attention, and the ending leaves you satisfied (or wanting more). It's a great cinematic experience. 


I have nothing else to say except...  

THIS!


My Rating: maybe a 4.5, but I'm giving it a 5/5 - one of the best local films I've seen and definitely a favorite. 





YOUR POINT OF VIEW: Who are your casting choices for the Hollywood remake?


LIKE, Share or Follow my blog, it may not change the world but it will change mine LOL :)

Follow me on Tumblr! Ravings of a Madwoman
To my fellow bookworms, add me on Goodreads: Lucresia Strange

Wednesday, January 8, 2014

QUICKIES: The Smiths before & 7 years later, and The Usual Suspects

Either I'm too lazy at the moment, or the movie does not deserve a full review. Here are my straight-to-the-point reviews, QUICKIES if you will, of AFTER EARTH, THE PURSUIT OF HAPPYNESS, and THE USUAL SUSPECTS.



The hunt for courage, happyness, and Keyser Soze.

Monday, December 9, 2013

What Ever Happened To Baby Jane? (1962)

A truly intense sibling-rivalry thriller that's made more interesting because of the real-life rivalry between Davis & Crawford.



"I didn't bring your breakfast, because you didn't eat your din-din!"  No actress has ever gotten me to hate a character so much and pity her at the same time. No one but Bette Davis. I mean my god that woman is a fascinating actress! To switch from spiteful madness to regression in a blink of an eye - a hateful countenance to child-like mischievousness flowing smoothly like a river of emotions in her grotesque face - is nothing short of brilliant. At some point she made me wish I could go inside the screen just so I can push her down the stairs, and yet in another scene, she had me bawling like a milk-deprived baby, just wanting to hug and comfort poor Baby Jane. She should have won the Oscars for Best Actress that year. Dammit, she should have!

This scene! ugh -_-

Here's a short info about the movie. :)

"A former child star torments her crippled sister in a decaying Hollywood mansion."

Directed by:  Robert Aldrich (Hush...Hush, Sweet Charlotte)
Screenplay by:  Lukas Heller
Cinematography by:  Ernest Haller (Rebel Without A Cause)

Editing by:  Michael Luciano
Music by:  Frank De Vol (Hush...Hush, Sweet Charlotte)
Starring:  Bette Davis, Joan Crawford
Running Time:  133 mins
Budget: a little over a million dollars
Box Office:  $9 million

Wednesday, August 7, 2013

BOOK + MOVIE: Watchmen

Who watches the Watchmen?


"Yes, we were crazy, we were kinky, we were Nazis, all those things that people say. We were also doing something because we believed in it. We were attempting, through our personal efforts, to make our country a safer and better place to live in." - Hollis Mason (novel)

Friends have been simply raving about the adaptation. After reading the graphic novel, my expectations of the movie are ridiculously even higher. Watchmen (novel) is simply awesome in my opinion, so the next day I plopped my lazy ass on the couch and started the movie.

The movie was three hours long so I'm guessing it's the Director's Cut, but I'm still planning on watching the Ultimate Cut which I've read is more or less 4 hours long. So, basing from the version I just watched, did the film adaptation deliver?

As a faithful adaptation, yes it delivered. It's amazing to see a graphic novel come to life the way Zack Snyder made it - every frame, even the minute details that I loved in the novel were done essentially the same way in the movie. The frame-by-frame zooming in or out was there in the movie as well. In terms of content, the movie still retained the gist of what the novel is all about but less meatier. I like Snyder's technical style, but the gloss & vibe of the movie didn't feel too 80's, which is a shame because there's something about that era that I love. Yes, in alot of ways Snyder's Watchmen did deliver (and more than enough... and better than most comicbook movies), but essentially, there's something lacking, there's something uneven in his execution.
I did love the opening credits, the history of the Minutemen was nicely summed up in a very entertaining, eye-candy way. I also love the fact that the cast were very similar to the novel's list of characters, with one or two exceptions. Like I said, it's a very faithful adaptation, even with the changed ending. So what went wrong?

It's not that the movie failed in general. This is just me. Maybe my prior knowledge about the story affected the way I regarded the film, maybe it's a typical book-to-movie expectations of those who love book versions, I don't know. This is my personal opinion and I could very well be wrong. Anyway, these are some of the things I found in the movie that didn't seem right.

For those who haven't seen or read Watchmen, this is NOT a spoiler-free environment. You've been warned. :)
Ozymandias. For me, Matthew Goode as the beautiful face of consumerism & all that is good and fit is a miscast. It's not about him as an actor, and if it was any other character or movie, he would have been great. But in the novel version, Adrian Veidt/Ozymandias is a big body-building guy who was able to beat The Comedian to fruity pulp & throw him out of the window without any difficulties. Goode just doesn't seem like the guy who could do that. Also, novel-Ozy looked like a harmless guy, a retired superhero who was smart enough to quit and venture into business... and nothing else. Forgettable. Charming, unassuming face. Goode, from the get-go looked sinister. Like he had evil plans swirling around his head the moment he was born. He sneers, he smirks, he looked like someone who knows something that most do not. And that's where Goode's Ozy fails. But, I liked how he played the "assumed homosexual" part. Really nice.

Laurie Juspeczyk. Playing Silk Spectre II, Malin Akerman falls second on my Miscast List (there are only two of them on the list lol). She had her good moments & she did look alot like the novel-Laurie, but most of the time she felt flat. I liked the movie-Laurie better, but that's only because novel-Laurie is a whiny bitch who just uses her womanly wiles, whether it's intentional or not, to toy with her guys' feelings. It's interesting to note though that she is the reason for "jump-starting" both Dan's & Jon's waning passion to save the world. Although she used tears & her boobs for that. Girl power!

The ending. I had no problem with Snyder changing the alien ending of the novel into a typical "terrorist attack" angle - I guess he had to do that for easier explanation. Admittedly, the alien factor kind of surprised me a bit as well. Like woah where the hell did that come from? But I still prefer that. It's more tongue-in-cheek, has more comicbook vibe, like Ozy quoting Hitler, the bigger the lie the more believable it gets. And what's bigger than aliens, right? For me, the terrorist angle is cliched. Plus, if that's Ozy's way of uniting the world, is it really believable? Countries suddenly feeling mushy and peaceful and not blaming the U.S. for its haphazard handling of a powerful weapon (Dr. Manhattan)? The way the novel presented the alien angle & Ozy's logic, it's easily believable to unite the world against "alien invasion" rather than a terrorist mayhem, obviously, even though unwittingly, caused by one country. But that's not my real issue regarding the ending, it's actually Rorschach's ending. To me, the reason why the novel felt so perfect is because it depicted the imperfect world of vigilantes. We're all shown a dysfunctional, even sociopathic, lives behind those masks. How they fought for justice, and eventually fought against society's fear of them. And while most of them have hung their capes and went on with their "normal" lives, only Rorschach continued his fight against injustice. And that's the reason why I liked him. He is painted as a sociopath, the antithesis of a costumed hero (e.g. Bruce Wayne/Batman) - a smelly loner who lives in a dump, with an affinity for violence as a means to his end, and with a black & white view of the world. Yet, he is the real hero here. His real face is Rorschach's, Kovacs is only his alter ego. He refused to be domesticated by the government's Keene Act, because he felt the need to clean the streets reeking of evil. He never stopped being a hero. And how did Alan Moore kill him? He was blasted into pieces by Jon while Rorschach's only closest friend, Dan, is being all lovey-dovey let's-kiss-now-because-the-world-is-saved with Laurie inside Ozy's fortress. He was killed without anyone batting an eyelash. And there in lies the real tragedy, which is in continuance with the novel's theme or mood - that is the futility of everything they've worked for or they thought they were fighting for. We've seen that in the Tales of the Black Freighter, with Ozy's grandiose plan for utopia, and now with Rorschach. Like The Comedian upon figuring out what's really happening, he said it's all a joke. They're all pawns to society/government/whatever crap humans can think of, and history do tend to repeat itself, no matter what heroics have been done. And while the movie version was better for most, because of Dan's emotional reaction and Jon's hesitation before killing Rorschach which makes his death seem relevant, the fact is and my interpretation of the novel is that it IS irrelevant. Despite him being the only one who really cared for the world without any agenda, still, he is irrelevant. That's what made the novel perfect in its tragic and imperfect reality.

And now I've rambled on too much.

There are things that I really liked in movie. Carla Gugino as Silk Spectre, Jeffrey Dean Morgan as The Comedian, and Jackie Earle Haley as Rorschach. They fit in their roles perfectly and I was thoroughly entertained everytime they're included in the scenes. Patrick Wilson as Dan was good, still geeky, but a bit cooler than the novel-Dan. Dr. Manhattan is essentially the novel-doc come to life, but I was just annoyed with the glowing blue - it hurts my eyes. Oh and I love the owlship! :)

I just have to mention this, so the lesbian superhero & her lover were murdered for being "lesbian whores", and the "antagonist" is a possible homosexual. Hmmm. Is that tongue-in-cheek as well? Possibly. Hopefully. lol.

To finally end this, the novel is fantastic, not one page to throw away. And I'll say that the movie is a breath of fresh air. While The Avengers still remain my favorite ensemble cast superhero movie mainly because of its comic relief and Joss Whedon's execution (kill me now, pretentious bastards =P), Watchmen is the best adaptation in my opinion and it also stands out among all those influx of CGI explosion superpower extravaganza. But it also makes me wonder, is Snyder's adaptation really a good movie OR is it only because of the novel's intriguing content and great story? It's like re-painting Mona Lisa, maybe it could be done stroke by stroke, but is the essence really captured? Is the smile still as enigmatic? I think Snyder did a good job technically/visually-speaking, but I don't think he grasped the novel's totality or essence. But then again, can anyone do both? That is, to delve deeper into the complexity of the novel & the characters while remaining as faithful to the novel as Snyder has been?


My Rating:
(novel) - 5/5
(movie) - 3.5/5
- mainly for the technical/visuals



Check out MY ULTIMATE BOOK BUCKET LIST or the books I wanna read before I die!

Thank you for reading! :) Like/Share this post or Follow my blog (I'll follow yours back) and don't forget to leave a comment below, let's talk!

You can also follow me on:
Goodreads: Lucresia Strange
Letterbox'd:  lucresiastrange
My personal blog: Ravings of a Madwoman


Wednesday, July 24, 2013

Waking Life (2001)

A man shuffles through a dream meeting various people and discussing the meanings and purposes of the universe.

Written & Directed by:  Richard Linklater (Before Midnight, Slacker)
Music by: Glover Gill
Cinematography:  Richard Linklater, Tommy Pallotta
Running Time:  101 mins
Watch Waking Life HERE



"They say that dreams are only real as long as they last. Couldn't you say the same thing about life?"


This is a film for the dreamers, the thinkers, the lovers of life, the confused, the those who seem to sleepwalk through the hazy fog of everyday living.  It's for the people who like to smell the flowers as they walk, thinking about the concept of life, our existence, reality, even death. 

The first scene caught me off-guard, feeling and sensing the real people behind the hypnotic yet grotesque rotoscope animation. At first it might distract or feel weird seeing shakiness all over and big eyes seemingly pulsating in and outside the lines of their faces, but after the initial unsettling  cartoonish vibe, everything just becomes more surreal. It's art, and it's beautiful. 




Waking Life is a philosophical buffet for those whose minds are hungry. This movie connected to me in a deeper, more personal way than any other films probably because it spoke of ideas or philosophies that I couldn't put into words. I think about it, I believe it, I dream of those ideas, but I couldn't express it myself. This film did that for me. It's rare to find someone to talk to on a philosophical level, and Linklater managed to make another movie which made me feel like I was part of the conversation. I spent most parts of the movie smiling, just trying to absorb all the "conversations", and feeling attached to this film more & more. 

Richard Linklater's attention to details with his cameraworks and cinematography gives you a unique experience, but what makes his movies stand the test of time is his script. As taut as a newly-adjusted guitar string, his dialogues/script reverberates from your ear into your mind & into your soul, and it will be hard to shake it out of your system . It's as real as life, as tight as Superman's spandex.

Monday, June 24, 2013

Death Takes A Holiday (1934)

DEATH:  I'm about to take a holiday. I shall take only three days. After that, I must go back.
DUKE LAMBERT:  Why, why do you do this?
DEATH:  For a number of reasons.. For one thing, I must discover why men fear me as much as they do.
DUKE LAMBERT:  Don't you know??
DEATH:  How should I know?? What could terror mean to me who have nothing to fear?



Based on La Morte in Vacanza, an Italian play by Alberto Casella, this movie gives us a closer look at Death in his human form - learning and feeling human emotions as he discovers what makes men the way they are - weak, fearful of death, and pathetically clingy to things and people.

I was watching this movie alone at 2am, and this scene made me freak out, with that voice and creepy music O_O

I'm just so happy to have found this on YouTube, as I have tried downloading it before but I couldn't find a copy. Death Takes a Holiday is now permanently included in my list of All-Time Favorite Movies. The film is unique, morbidly funny, and every scene is just so delicious to watch.  To see Death as a human, tasting emotions, questioning his building feelings for a woman, and his leniency or indulgence of human idiosyncracies - it's truly delightful. Each scene I was engrossed, both by the dialogue and acting, as well as the lavishness of the setting that immediately transports me into that world. I also loved the opening credits, quirky fun.

Saturday, May 18, 2013

The Raid: Redemption (2011)

Original Title: "Serbuan Maut"

Director/Writer: Gareth Evans

Starring: Iko Uwais (Rama), Joe Taslim (Jaka), Donny Alamsyah (Andi), Yayan Ruhian (Mad Dog), Ray Sahetapy (Tama)

Taglines:  
"1 Ruthless Crime Lord, 20 Elite Cops, 30 Floors of Chaos"
"When there's nowhere left to run or hide... you fight or die."

Plot Summary: "A SWAT team becomes trapped in a tenement run by a ruthless mobster and his army of killers and thugs." - IMDb


- - - - - - - - - -

This movie is awesome.

I never thought that an Indonesian movie could make me feel so satisfied with what I saw. O_O Watching the non-stop action inside a dilapidated building, cramped hallways, inside the rooms, even in an elevator, - up close and fast-paced gives you the feeling that you're in there. It has everything, from gunplay to knife fights, eye-gouging, and a lot of martial arts action.

Sunday, April 28, 2013

Before Sunset (2004)



Directed by: Richard Linklater  (also known for directing Dazed and Confused, Before Sunrise, School of Rock)

Starring: Ethan Hawke (Jesse), Julie Delpy (Celine)

Tagline: 

"What if you had a second chance with the one that got away?"

Plot: It’s nine years after Jesse and Celine first met; now, they encounter one another on the French leg of Jesse’s book tour. - IMDb

         - - - - - - - - 

Before Sunrise is a beautiful film with a perfect ending. But, Jesse looked like a creep. Cute and charming yes, but he gave off that creep vibe who just wanted a “French lay” (though of course that's not the case at all). Also, I got bored just a little bit, and I can’t help but roll my eyes at their conversations — Them talking , Me laughing and thinking I was exactly like that when i was younger, god! It’s just idk, either too cynical, or too idealistic/romantic…. just two young people talking about what they think is life and love and other things.

WHAT I WAS EXPECTING:

Pretty much the same formula as Before Sunrise. Plus we get to know what happened after their encounter.

WHAT I FELT WHILE WATCHING:

In Before Sunset, we see these two characters meet once again, nine years later. With wrinkles, dirtier mouth, and a much more cynical/realistic outlook in life. Maturity suits them. And i find myself not irritated by Jesse anymore. He’s more subdued, and thank god he lost the leather jacket :)
They’re more mature, and their actions/expressions/conversations are more realistic and natural. They are just fun to watch. I actually felt like I was in that scene stalking them and listening to them with rapt attention and loving every second of it. You see the growth of their characters, and while life and time has aged them you can still see the familiar charm in their eyes. They have real problems, real relationships; they’re jaded; they’re cynical…. and yet when they saw each other, something inside them reignited. You feel the intense longing, the real emotions they thought they already forgot about, that one great love they have preserved in that one night nine years ago.
An example of how perfect this film is is that scene where Jesse wanted to hear Celine sing and they were walking up the stairs and they just look/glance at each other and at that moment we feel the tension, the anticipation of what may or may not happen, the longing, the battle inside them whether they should act on their feelings and just forget about their real lives. That several seconds without a dialogue reverberated inside me. It’s real. It’s those little moments in real life that you actually remember. 
The whole film is nicely executed. It’s simple yet you can feel real emotions behind every expressions, every subtle glances, body language, words, everything. You are drawn to them, to what they’re feeling, to what they’re trying to say. The non-verbals here are what made this movie perfect. The first movie, it’s talk talk talk with a bit of action. In this film, everything is toned down, so their expressions and movements are magnified.

ShareThis

Related Posts Plugin for WordPress, Blogger...