Showing posts with label film adaptation. Show all posts
Showing posts with label film adaptation. Show all posts

Sunday, April 6, 2014

5 Reasons Why I Love THE SOUND OF MUSIC

"I go to the hills, when my heart is lonely... I know I will hear, what I've heard before... My heart will be blessed by the sound of music, and I'll sing once more."

Directed by:  Robert Wise
Starring:  Julie Andrews, Christopher Plummer
Screenplay by:  Ernest Lehman
Cinematography by:  Ted McCord
Editing by:  William H. Reynolds
Music by:  Richard Rodgers (music & lyrics)
Oscar Hammerstein II (lyrics)
Irwin Kostal (musical score)
Running time:  174 mins
Budget:  $8.2 million
Box-office:  more than $286 million

"The Sound of Music is credited as the film that saved 20th Century Fox, after extreme high production costs and financial losses incurred by Cleopatra (1963) that almost bankrupted the studio." - Wikipedia

Well, I credit The Sound of Music as the film that never fails to save me, after extreme stress and depressive episodes incurred by Life that almost always bankrupts my soul. There's something so happy with this film, that the moment I see Julie Andrews up in that mountain (or hill), all of my problems melt away. Maybe it's because this movie was a big part of my childhood and it reminded me of the time when I felt safe & without any real-life worries. It's a comforting, nostalgic trip.


Without further ado, here are five reasons why The Sound of Music still remains my all-time favorite movie.





Sunday, March 23, 2014

Veronica Mars (2014): And We Thought She Was Out

I'm a Marshmallow, and I'm an addict.


Directed by:  Rob Thomas
Screenplay by:  Rob Thomas, Diane Ruggiero
Music by:  Josh Kramon
Cinematography by:  Ben Kutchins
Editing by:  Daniel Gabbe
Running Time:  107 mins
Budget:  $6 million (Kickstarter
)
Box Office:  over $2 million (already considered a success)

There are spoilers in this post, but rest assured you'll be warned.

It's been 7 years since the series ended, 9 years after the events of season 3. I never thought (imagined, yes) I would see this gang again. Hearing "We Used To Be Friends" sung by some street performer a few minutes into the film, goosebumps crawled all over me, and I can't help but scream "Oh my god, oh my god, the feels, the feeeeeelssssss!" repeatedly. That part alone makes the wait so worth it. 

Pure happiness, is what I'm feeling. I watched VM twice in one week.


So did this movie deliver?  

Sunday, March 16, 2014

(Back 2 Back) OLDBOY: Park Chan-wook VS. Spike Lee

Back 2 Back is my comparison review of an original film and its remake/s. 

In this post, I will be reviewing Park Chan-wook's Oldboy (2003), and Spike Lee's 2013 version.


 Loosely based on the Japanese manga, Old Boy, written by Nobuaki Minegishi & Garon Tsuchiya
      (2003) Directed by:  Park Chan-wook                                     (2013)  Directed by:  Spike Lee
       Starring: Choi Min-Sik, Yoo Ji-tae, Kang Hye-jung                         Starring: Josh Brolin, Sharlto Copley, Elizabeth Olsen
       Running Time:  120 mins                                                           
Running Time:  104 mins                                                                      Budget:  $3 million                                                                      Budget:  $30 million
       Box Office:  almost $15 million                                                Box Office:  almost $5 million

Let me just say this first: NO I don't care that a remake of Oldboy has been done. I have stopped hating on remakes for awhile now. To those who keep on saying that it's a disgrace to the original blah blah (and I'm speaking generally here), that the original should never ever ever have been re-made etc. etc., all I can say is this: remakes, however unnecessary, are inevitable & to be expected. There will always be other attempts to re-create or surpass what we deem as an already great work of art. Why? Because humans are perfectionists.. or we just love to rip off stuff (and by we, I mean Hollywood). And while the remakes are usually sub-par & disappointing, to me, that's part of the fun. It only makes the original shine brighter, and those who haven't even heard of it in the first place might be curious enough to want to watch it - and isn't that a good thing? Lastly, a bad remake would never be a disgrace to the original because they are two separate films, made by different directors, with different casts - the only one disgraced or put in a bad light is the one who made the remake. So guys, chill!



Now let's talk about the movies.

I'll go straight to the point. There's no contest here, the 2003 version is a masterpiece, and obviously the superior film between the two. I'm pretty sure anyone who have seen both movies will agree and won't need any convincing. 

But just humor me, here are the reasons why the South Korean film is great, while the Hollywood remake is just average at best.


Sunday, March 9, 2014

Grave of the Fireflies (1988)

This was recommended to me by my good friend Robbie, and while I was grateful for discovering another great film, I also wanted to sucker punch him in the face. A million times! Why? 

"Hotaru no haka"
Written & Directed by:  Isao Takahata
Based on the 1967 semi-autobiographical novel by Akiyuki Nosaka
Music by:  Michio Mimiya
Cinematography by:  Nobuo Koyoma
Editing by:  Takeshi Seyama
Running Time:  89 mins

Because this is one of the most heartbreaking films I have ever seen in my life. To think that this is a cartoon, I mean, why don't they just stick to that wonderful concept that animations are supposed to entertain? 

There are sad movies and I have seen quite a few. Yes, they make me shed a few tears, but after that, I shrug it off and mumble "Good film! Onto the next one!". Then there's Grave of the Fireflies. A movie in a category of its own. A story filled with grief beyond expectations. A film that after watching it, I tell myself "I don't want to watch something like this anytime soon. Please noooo!"

Sunday, February 9, 2014

12 Years a Slave (2013)

Forget about racism. Forget about this film being just an Oscar bait, or whatever negative people say about 12 Years a Slave. I'm just gonna tell you why this is such an epic film for me, without expounding on its socio-political/historical relevance.

McQueen's patient direction in contrast with the cast's intense & nuanced acting, along with the awesome music makes this unbearably painful film beautiful. His scenes are so atmospheric, you can't help but get chills because you feel the weight of everything you're seeing. Even when there's seemingly nothing going on, it's actually those scenes where you feel the most.


Directed by: Steve McQueen (Shame)
Starring: Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Lupita Nyong'o
Screenplay by:  John Ridley (Undercover Brother)
Based on Twelve Years a Slave (Solomon Northup)
Music by:  Hans Zimmer
Cinematography by:  Sean Bobbitt (The Place Beyond the Pines, Shame)
Editing by: Joe Walker (Shame)
Running Time:  134 mins
Budget:  $20 million
Box Office:  over $97 million

Before watching this, I was really rooting for Leonardo DiCaprio to win Best Actor. I still am (because I effin' love Leo!!), but I really think that Chiwetel Ejiofor deserves to win this award. With Michael Fassbender's awesome-in-a-psychotic-way Master Epps to torment Solomon Northup (Ejiofor), Chiwetel's subtle acting (suffering) resonates all the more. They complement each other. I love every bit of screen time they share together. 

The cast is great. Even the smallest actors on set gave great performances. It shocked me that the scene which made me cry (the first time) was not because of the main characters, but from someone who I only saw for several seconds. The scene where Patsey was being given some salve for her back, the woman applying it caught my attention. Suffering in silence, forced to accept whatever fate their masters decide for them, all they can do is cry silently - that's what I got from that woman's acting. It was actually so great that Lupita's scene was overshadowed because I was already bawling like a hungry kitten even before the camera zooms into her anguish-filled expression. 

Sunday, February 2, 2014

The Wolf of Wall Street (2013)

A three-hour long spectacle of gratuitous debauchery, of people & their unrestrained pursuit to satisfy their id, of characters long blinded by greed that they forgot how to be real human beings, and of shallow characterizations & plot - or the lack of it.

This could have given you a sour taste in your mouth & a giant hangover if it wasn't for Scorsese's unrestrained playfulness & DiCaprio's psychotic charm.


Directed by:  Martin Scorsese (The Aviator, Raging Bull)
Starring: Leonardo DiCaprio, Jonah Hill, Margot Robbie
Screenplay by:  Terence Winter (Boardwalk Empire)
Based on Jordan Belfort's The Wolf of Wall Street
Cinematography by:  Rodrigo Prieto (8 Mile, Brokeback Mountain)
Editing by: Thelma Schoonmaker (worked with Scorcese for over 40 years)
Running Time:  179 mins
Budget:  $100 million
Box Office: over $222 million

It's funny how you read on movie boards that The Wolf of Wall Street is one of the funniest comedies/best movies/"insert your own hyperbole" of 2013, and see on the next page that it's so goddamn awful that people have walked out of the theaters. And the same people insisting how juvenile or stupid others are for liking this movie. I say, to each his own - but let me share my thoughts regarding some of the reasons people didn't like this film.

Tuesday, January 21, 2014

August: Osage County (2013)

A black comedy-drama about a dysfunctional family with a penchant for dining table hysterics.


"Eat your fish, bitch!"

Directed by:  John Wells (The Company Men)
Written by:  Tracy Letts
Music by:  Gustavo Santaolalla (Brokeback Mountain, Babel)
Cinematography by:  Adriano Goldman
Editing by:  Stephen Mirione (Traffic)
Running Time:  120 mins
Budget:  $20 million
Box Office: over $24 million


In one scene where Violet (Streep) was running away from the car (where to, I don't know.) - just watching her running - just running - and Roberts finally catching up and telling her "There's no place to go." suddenly gave me that feeling of wanting to be an actress. Not for the fame or glamor, but to live forever because she will be watched & admired by generations to come. Damn it MERYL STREEP IS GONNA LIVE FOREVER! This woman is so great she gave me the "feels" just by running! C'mon! Give this lady an Oscar! She probably won't win though. Too bad, she is incredibly fascinating in this movie. That can also be said about Julia Roberts. 




Monday, January 20, 2014

Captain Phillips (2013)

A compelling drama and a pulse-pounding thriller that was given more depth & relevance because of Tom Hanks' notable performance - subtle, controlled... until you see him break down. 


"The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years."
Directed by:  Paul Greengrass (Bourne Supremacy)
Starring:  Tom Hanks, Barkhad Abdi
Written by:  Billy Ray (The Hunger Games)
Based on:  A Captain's Duty (Richard Phillips with Stephan Talty)
Music by:  Henry Jackman (Wreck-it Ralph)
Cinematography by:  Barry Ackroyd (The Hurt Locker)
Editing by:  Christopher Rouse (The Bourne Ultimatum)
Running Time:  133 mins
Budget:  $55 million
Box Office:  over $214 million

This film received six Oscar nominations including Best Picture and Best Supporting Actor for Barkhad Abdi. Abdi received numerous nominations for his role as pirate leader, Abduwali Muse, and deservingly so. I think he delivered a very good performance considering he was sharing the same screen with Tom Hanks. Surprisingly, Hanks, despite his solid portrayal as the titular character, wasn't included in the final list of Best Actor nominees - a questionable deed especially after seeing that goosebumps-inducing, heartstrings-tugging performance he did in that finale! Understandable though, because there are better performances given by other actors. 

Seriously though, Tom Hanks is in his best form. Despite his calm demeanor all throughout his character's ordeal, you can see his fear & struggles through his eyes. This man is awesome.

Wednesday, January 1, 2014

The Hobbit: The Desolation of Smaug (Peter Jackson, what have you done?)

Going beyond two movies for a 300-page book... lies the greatest danger of all.


This may be actually the first time that I'll complain of an adaptation (of a book that I love) being unnecessarily prolonged. Seriously, a trilogy? Of one little book? While the first installment was enjoyable though in a juvenile way, it becomes apparent in Desolation of Smaug the fillers that Peter Jackson has to add just to make the main plot last all the way to the third installment. And that irks me. It really does. It would have been kick-ass if it was a two-part adaptation, but a trilogy it never should have been. 


The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug. Bilbo Baggins is in possession of a mysterious and magical ring.
Directed by:  Peter Jackson
Screenplay by:  Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo Del Toro
Music by:  Howard Shore (LOTR, The Aviator, High Fidelity)
Cinematography by:  Andrew Lesnie (LOTR, I Am Legend)
Editing by:  Jabez Olssen (The Lovely Bones)
Running Time:  161 mins
Budget:  $225 million
Box Office: over $600 million

Thursday, December 26, 2013

Starting my own Christmas tradition: The NeverEnding Story (1984)

A film made even more nostalgic by making us aware of an entirely different era - a time where you can hear the phrase "I like children" without raising any red flags. LOL

When I heard that "I like children" line, then Falkor asking Atreyu to scratch behind his ears and gleefully commenting "Oh that feels goooood!" with the creepy old man voice, I was like O_O seriously? Then I chuckled. Society today has thoroughly messed up my innocence.

For several years now, Christmas for me has lost its magical charm. Call me jaded, or Ms. Scrooge, or better yet just call me an adult - Christmas is just not the same as before. It really is an occasion for kids, and a kid I no longer am. And while everybody were too busy cooking holiday food, eating, opening gifts, singing christmas carols, taking pictures with their christmas trees in the background - I was moping in a corner, trying to read my book, unsuccessfully, while waiting for my movies to download. Yes, t'was the night before Christmas. And several minutes past 12, while there were firecrackers cracking in the neighborhood, "Merry Christmas" greetings resonating all over, and just plain old jolly merrymaking happening around me, I saw that wonderful notification! My movies are finally downloaded. I was a happy elf!

So today, December 25, the moment I woke up I went straight to my couch and started my movie marathon. Christmas is that wonderful feeling of magical mysteries as seen thru the eyes of a child - getting gifts, Santa Claus, everything romanticized - I decide to re-experience that old nostalgic feeling. What better way to do that than watch something from my childhood - that first ever movie I recall watching as a kid (as I've mentioned here). And I'm watching that with my family. My very own Christmas special. And how fitting this movie is. :)

I have ranted, but thank you for humoring me. It's Christmas after all. ;) 

Now, I'm ready to talk about the movie. A special movie that has stayed with me (or at least some parts of it) my whole life. The movie which has opened my eyes and heart, which has affected me in such a way great films are supposed to influence people - it has made me appreciate the world of cinema at such a young age. It sent me into another world, into another story, and I have stayed inside. My own never ending story. 


"A troubled boy dives into a wonderous fantasy world through the pages of a mysterious book."
Directed by:  Wolfgang Petersen (Das Boot, Air Force One)
Screenplay by:  Wolfgang Petersen, Herman Weigel
Based on the novel of the same title by Michael Ende
Music by:  Klaus Doldinger (Das Boot)
Cinematography by:  Jost Vacano (Das Boot, RoboCop, Total Recall)
Editing by:  Jane Seitz

Starring:  Noah Hathaway (Atreyu), Barret Oliver (Bastian)
Running Time:  107 mins
Budget:  around $27 million
Box Office:  $100 million

Monday, December 9, 2013

What Ever Happened To Baby Jane? (1962)

A truly intense sibling-rivalry thriller that's made more interesting because of the real-life rivalry between Davis & Crawford.



"I didn't bring your breakfast, because you didn't eat your din-din!"  No actress has ever gotten me to hate a character so much and pity her at the same time. No one but Bette Davis. I mean my god that woman is a fascinating actress! To switch from spiteful madness to regression in a blink of an eye - a hateful countenance to child-like mischievousness flowing smoothly like a river of emotions in her grotesque face - is nothing short of brilliant. At some point she made me wish I could go inside the screen just so I can push her down the stairs, and yet in another scene, she had me bawling like a milk-deprived baby, just wanting to hug and comfort poor Baby Jane. She should have won the Oscars for Best Actress that year. Dammit, she should have!

This scene! ugh -_-

Here's a short info about the movie. :)

"A former child star torments her crippled sister in a decaying Hollywood mansion."

Directed by:  Robert Aldrich (Hush...Hush, Sweet Charlotte)
Screenplay by:  Lukas Heller
Cinematography by:  Ernest Haller (Rebel Without A Cause)

Editing by:  Michael Luciano
Music by:  Frank De Vol (Hush...Hush, Sweet Charlotte)
Starring:  Bette Davis, Joan Crawford
Running Time:  133 mins
Budget: a little over a million dollars
Box Office:  $9 million

Monday, November 25, 2013

Catching Fire (2013): A much better, more sizzling Hunger Games

The girl on fire is back with unlimited arrows


"Eyes bright, chins up, smiles on. I'm talking to you Katniss." Still sulky, still independent, still a pain in the ass - it's so fun to watch Katniss Everdeen (played by the ever so charming Jennifer Lawrence) annoy the hell out of President Snow and his Stormtroopers - er, Peace Keepers, once again.. and kick some baboon's ass. 


"Katniss Everdeen and Peeta Mellark become targets of the Capitol after their victory in the 74th Hunger Games sparks a rebellion in the Districts of Panem."
Directed by:  Francis Lawrence (Constantine, I Am Legend)
Screenplay by:  Simon Beaufoy (Slumdog Millionaire),
                       Michael Arndt (Little Miss Sunshine)
Cinematography by:  Jo Willems
Music by:  James Newton Howard (Batman Begins, The Bourne Legacy)
Running Time:  146 mins

Tuesday, November 19, 2013

THE LORD OF THE RINGS (1978): Burton's first film job, Led Zep, and why REMAKES aren't always the bane of films

Fantasy... beyond your imagination. 


That is the movie's tagline - and while it's not really beyond my imagination, Ralph Bakshi's TLotR has in a way exceeded my expectations. Not that I was blown away or anything but let's face it - it's an animation made in 1978, the sequel never pushed through, and I love Peter Jackson's LOTR trilogy - so I was half-expecting a Disney cartoon about hobbits, dwarves, royal bloods, and wizards going tra la la la la through the woods and deep into the mountains, and I'm glad that I got more than that. Okay, I admit, the animation is at times jarring, my favorite characters look like rejects from the drawing table of a comicbook artist, and the overall color scheme a bit bland. But I did enjoy this film. Because in contrast with Jackson's drawn-out epic saga, this one is fast-paced (considering it's based from a Tolkien book) - with books one & two condensed into a 2-hour movie. 


The Fellowship of the Ring embark on a journey to destroy the One Ring and end Sauron's reign over Middle Earth
Directed by:  Ralph Bakshi (Wizards, Last Days of Coney Island)
Screenplay by:  Peter S. Beagle, Chris Conkling
Music by:  Leonard Rosenman, Paul Kont
Cinematography by:  Timothy Galfas
Running Time: 133 mins

Thursday, October 10, 2013

(Back 2 Back) THE GIRL WITH THE DRAGON TATTOO: Oplev's or Fincher's?

Journalist Mikael Blomkvist is aided in his search for a woman who has been missing for forty years by Lisbeth Salander, a young computer hacker.
          (2009) Directed by:  Niels Arden Oplev                              (2011) Directed by:  David Fincher
        Starring:  Michael Nyqvist, Noomi Rapace                        Starring:  Daniel Craig, Rooney Mara
                  Running Time: 152 mins.                                                         Running Time:  158 mins.

It's rare to find a movie adaptation that is as good as the book, or better. What's even rarer? A Hollywood remake that is as good as the original film, or better. I'm actually already partial to the film adaptations even before seeing them since I was mildly disappointed with Larsson's novel (or the translated one). While its plot was intriguing and the context & themes explored provocative, somehow the manner it was written was at times off-putting. Here's my book review, if anyone's interested.

Now let's talk about the movies! 



Michael Nyqvist vs. Daniel Craig:  Who's the real Millenium's Don Juan?  




Wednesday, August 7, 2013

BOOK + MOVIE: Watchmen

Who watches the Watchmen?


"Yes, we were crazy, we were kinky, we were Nazis, all those things that people say. We were also doing something because we believed in it. We were attempting, through our personal efforts, to make our country a safer and better place to live in." - Hollis Mason (novel)

Friends have been simply raving about the adaptation. After reading the graphic novel, my expectations of the movie are ridiculously even higher. Watchmen (novel) is simply awesome in my opinion, so the next day I plopped my lazy ass on the couch and started the movie.

The movie was three hours long so I'm guessing it's the Director's Cut, but I'm still planning on watching the Ultimate Cut which I've read is more or less 4 hours long. So, basing from the version I just watched, did the film adaptation deliver?

As a faithful adaptation, yes it delivered. It's amazing to see a graphic novel come to life the way Zack Snyder made it - every frame, even the minute details that I loved in the novel were done essentially the same way in the movie. The frame-by-frame zooming in or out was there in the movie as well. In terms of content, the movie still retained the gist of what the novel is all about but less meatier. I like Snyder's technical style, but the gloss & vibe of the movie didn't feel too 80's, which is a shame because there's something about that era that I love. Yes, in alot of ways Snyder's Watchmen did deliver (and more than enough... and better than most comicbook movies), but essentially, there's something lacking, there's something uneven in his execution.
I did love the opening credits, the history of the Minutemen was nicely summed up in a very entertaining, eye-candy way. I also love the fact that the cast were very similar to the novel's list of characters, with one or two exceptions. Like I said, it's a very faithful adaptation, even with the changed ending. So what went wrong?

It's not that the movie failed in general. This is just me. Maybe my prior knowledge about the story affected the way I regarded the film, maybe it's a typical book-to-movie expectations of those who love book versions, I don't know. This is my personal opinion and I could very well be wrong. Anyway, these are some of the things I found in the movie that didn't seem right.

For those who haven't seen or read Watchmen, this is NOT a spoiler-free environment. You've been warned. :)
Ozymandias. For me, Matthew Goode as the beautiful face of consumerism & all that is good and fit is a miscast. It's not about him as an actor, and if it was any other character or movie, he would have been great. But in the novel version, Adrian Veidt/Ozymandias is a big body-building guy who was able to beat The Comedian to fruity pulp & throw him out of the window without any difficulties. Goode just doesn't seem like the guy who could do that. Also, novel-Ozy looked like a harmless guy, a retired superhero who was smart enough to quit and venture into business... and nothing else. Forgettable. Charming, unassuming face. Goode, from the get-go looked sinister. Like he had evil plans swirling around his head the moment he was born. He sneers, he smirks, he looked like someone who knows something that most do not. And that's where Goode's Ozy fails. But, I liked how he played the "assumed homosexual" part. Really nice.

Laurie Juspeczyk. Playing Silk Spectre II, Malin Akerman falls second on my Miscast List (there are only two of them on the list lol). She had her good moments & she did look alot like the novel-Laurie, but most of the time she felt flat. I liked the movie-Laurie better, but that's only because novel-Laurie is a whiny bitch who just uses her womanly wiles, whether it's intentional or not, to toy with her guys' feelings. It's interesting to note though that she is the reason for "jump-starting" both Dan's & Jon's waning passion to save the world. Although she used tears & her boobs for that. Girl power!

The ending. I had no problem with Snyder changing the alien ending of the novel into a typical "terrorist attack" angle - I guess he had to do that for easier explanation. Admittedly, the alien factor kind of surprised me a bit as well. Like woah where the hell did that come from? But I still prefer that. It's more tongue-in-cheek, has more comicbook vibe, like Ozy quoting Hitler, the bigger the lie the more believable it gets. And what's bigger than aliens, right? For me, the terrorist angle is cliched. Plus, if that's Ozy's way of uniting the world, is it really believable? Countries suddenly feeling mushy and peaceful and not blaming the U.S. for its haphazard handling of a powerful weapon (Dr. Manhattan)? The way the novel presented the alien angle & Ozy's logic, it's easily believable to unite the world against "alien invasion" rather than a terrorist mayhem, obviously, even though unwittingly, caused by one country. But that's not my real issue regarding the ending, it's actually Rorschach's ending. To me, the reason why the novel felt so perfect is because it depicted the imperfect world of vigilantes. We're all shown a dysfunctional, even sociopathic, lives behind those masks. How they fought for justice, and eventually fought against society's fear of them. And while most of them have hung their capes and went on with their "normal" lives, only Rorschach continued his fight against injustice. And that's the reason why I liked him. He is painted as a sociopath, the antithesis of a costumed hero (e.g. Bruce Wayne/Batman) - a smelly loner who lives in a dump, with an affinity for violence as a means to his end, and with a black & white view of the world. Yet, he is the real hero here. His real face is Rorschach's, Kovacs is only his alter ego. He refused to be domesticated by the government's Keene Act, because he felt the need to clean the streets reeking of evil. He never stopped being a hero. And how did Alan Moore kill him? He was blasted into pieces by Jon while Rorschach's only closest friend, Dan, is being all lovey-dovey let's-kiss-now-because-the-world-is-saved with Laurie inside Ozy's fortress. He was killed without anyone batting an eyelash. And there in lies the real tragedy, which is in continuance with the novel's theme or mood - that is the futility of everything they've worked for or they thought they were fighting for. We've seen that in the Tales of the Black Freighter, with Ozy's grandiose plan for utopia, and now with Rorschach. Like The Comedian upon figuring out what's really happening, he said it's all a joke. They're all pawns to society/government/whatever crap humans can think of, and history do tend to repeat itself, no matter what heroics have been done. And while the movie version was better for most, because of Dan's emotional reaction and Jon's hesitation before killing Rorschach which makes his death seem relevant, the fact is and my interpretation of the novel is that it IS irrelevant. Despite him being the only one who really cared for the world without any agenda, still, he is irrelevant. That's what made the novel perfect in its tragic and imperfect reality.

And now I've rambled on too much.

There are things that I really liked in movie. Carla Gugino as Silk Spectre, Jeffrey Dean Morgan as The Comedian, and Jackie Earle Haley as Rorschach. They fit in their roles perfectly and I was thoroughly entertained everytime they're included in the scenes. Patrick Wilson as Dan was good, still geeky, but a bit cooler than the novel-Dan. Dr. Manhattan is essentially the novel-doc come to life, but I was just annoyed with the glowing blue - it hurts my eyes. Oh and I love the owlship! :)

I just have to mention this, so the lesbian superhero & her lover were murdered for being "lesbian whores", and the "antagonist" is a possible homosexual. Hmmm. Is that tongue-in-cheek as well? Possibly. Hopefully. lol.

To finally end this, the novel is fantastic, not one page to throw away. And I'll say that the movie is a breath of fresh air. While The Avengers still remain my favorite ensemble cast superhero movie mainly because of its comic relief and Joss Whedon's execution (kill me now, pretentious bastards =P), Watchmen is the best adaptation in my opinion and it also stands out among all those influx of CGI explosion superpower extravaganza. But it also makes me wonder, is Snyder's adaptation really a good movie OR is it only because of the novel's intriguing content and great story? It's like re-painting Mona Lisa, maybe it could be done stroke by stroke, but is the essence really captured? Is the smile still as enigmatic? I think Snyder did a good job technically/visually-speaking, but I don't think he grasped the novel's totality or essence. But then again, can anyone do both? That is, to delve deeper into the complexity of the novel & the characters while remaining as faithful to the novel as Snyder has been?


My Rating:
(novel) - 5/5
(movie) - 3.5/5
- mainly for the technical/visuals



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Tuesday, June 25, 2013

BOOK + MOVIE: Less Than Zero

Author: Bret Easton Ellis (American Psycho)
Country: United States
Year: 1985
Pages: 208
"The rich and spoiled children of Los Angeles have it all -- sex, drugs, fast cars, air-conditioned mansions. Theirs is a world shaped by television, rock music, and too much money; it is a world devoid of feeling and of hope. In a startling, staccato style reminiscent of music videos, Bret Easton Ellis re-creates this world in a dizzying journey through endless parties, seedy rock clubs, and the seamy underworld of drug dealing and prostitution. Haunting, unnerving, Less Than Zero is the inside story of a generation on a desperate search for the ultimate sensation."


Welcome to the world of the Lindsay Lohans, Paris Hiltons, & the Kardashians - and here I thought that Gossip Girl (tv show.. haven't read the books) was too much. Teenagers acting like adults, involved in a lot of sex, drugs, alcohol abuse which would probably make my mom froth in the mouth if she knew I was watching/reading about it.

The book sells itself as "The sensational national book-seller" - well, it is sensational indeed, to think this was published in the 80's, it actually surprised me that I felt appalled, offended, disturbed by what I was reading (I actually thought I have already been desensitized in this day and age of glorified teenage sex & drugs in media. How wrong was I?).

"Written on the bathroom wall at Pages, below where it says 'Julian gives great head. And is dead.': 'Fuck you Mom and Dad. You suck cunt. You suck cock. You both can die because that's what you did to me. You left me to die. You both are so fucking hopeless. Your daughter is an Iranian and your son is a faggot. You both can rot in fucking shitting asshole hell. Burn, you fucking dumbshits. Burn, fuckers. Burn.'"

I felt the angst, really.

"....and she thinks I want to hug her or something and she comes over to me and puts her arm around my back and says something like 'I think we've all lost some sort of feeling.'"

Sex, drugs, alcohol, nihilism. Disappear here. Decline. People are afraid to merge. Clay's detachment or numbness to what's happening around him. I really don't care. Like these kids who apparently have nothing to lose, aside from losing feeling, who resort to rape of a twelve year old girl, drugs, even jerking off to slasher/porn just to feel alive. The main character tries to escape that world, maybe he does, maybe he doesn't, I'm not sure... because I don't like him.

My Rating: 2.5/5 - I get the message. It's a life of ennui and indifference (it's interesting to see a group of kids already feeling this). Party after party, meaningless sex and faceless hook-ups. It's really a good close-up look in that world. And the stream of consciousness narrative works. It's not bad. But did I care for the story and characters? No. There's no connection, aside for the occasional pity towards the kids for the lack of parental love and guidance, and the shock and disgust at the horrible lifestyle of the rich, bored, and drugged. There's no satisfaction. The first word I actually uttered after reading the last page is "Fuck." A lazy, unsatisfied, yet a bit relieved "fuck."


* * * *

Directed by: Marek Kanievska
Screenplay by: Harley Peyton
Music by: Thomas Newman
Year: 1987
Running Time: 98 mins.
Starring: Andrew McCarthy (Clay), Jami Gertz (Blair),
Robert Downey Jr. (Julian Wells), James Spader (Rip)
Loosely-based is the operative word here. And thank god for that. In the book, it's all Clay. In the movie, I'm so glad they gave Julian the central focus, because Clay, for me, is just so damn negative and boring. I'm not saying Julian Wells is all sugar, spice, and everything nice, but at least he's got character. It works too that the actor portraying him is my favorite Robert Downey Jr. - every scene he's in, he steals the show. Andrew McCarthy, oh wimpy Andrew I have disliked you since Pretty in Pink, but I think he's an okay fit as Clay. Because Clay, to me, is just unlikeable. Although if you wanna look for the complexity of the "book Clay", then I don't think McCarthy could deliver in that aspect. He can do "detached" yes, "unlikeable" yes, "wimpy" yep, "complex"? uhmm no i don't think so. Jami Gertz, for me, is a miscast, I was looking for a prettier, more elegant Blair... and better-acting. James Spader did great as Rip.

One thing I like about this movie is that they gave spine and focus on the friendship of Clay, Blair, & Julian - which I didn't really see in the book. It gave the story more substance. But that's just me wanting to get something from it all. I know how Hollywood romanticize everything, and the book isn't that at all.




TRIVIAS (IMDb): 

  • Brad Pitt was paid $38 for his uncredited appearance. (Partygoer /Preppie Guy at Fight) (his second uncredited gig in his early career) 

  • Keanu Reeves was originally cast as Clay Easton. 
  • This is the first film that Robert Downey Jr. is billed as "Robert Downey Jr.". All films previous he was billed as simply "Robert Downey". 

The Verdict:

The movie version is a toned-down, infinitely cleaner & more positive take on Ellis' disturbing novel - it still has captured the decadent lifestyle of the characters, but less of the shock value the novel has presented. I say "more positive" because the characters had redeeming qualities here, which the novel lacked, and the ending was kind of a happy ending despite of what happened. The movie, I felt, went on a cowardly path because it basically changed everything in the book. The Blair-Clay approach of the movie is so typical of Hollywood and it's one of the movie's aspects that I really didn't like. Two things that make this movie legit and worth watching though is the music which gives you that wonderful 80's vibe, and Robert Downey Jr.'s moving performance.


My Rating: 3.5/5 - Not a great one, but if you're an RDJ and 80's fan, then this movie is for you. I gave an extra .5 or so rating mainly for Downey's presence.




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Sunday, June 16, 2013

MOVIE REVIEW: Belle de Jour (1967)




"Luis Buñuel's Masterpiece of Erotica!"


Directed by: Luis Bunuel (That Obscure Object of Desire)
Written by: Joseph Kessel (novel), Luis Buñuel (adaptation)
Starring: Catherine Deneuve (Séverine Serizy/Belle de Jour)



"In 2010, the film was ranked #56 in Empire magazine's list, The 100 Best Films of World Cinema. Belle de Jour won the Golden Lion and the Pasinetti Award for Best Film at the Venice Film Festival in 1967" - Wikipedia

Luis Buñuel, probably the king of surrealist films opens Belle de Jour, his first color film, with a couple of lingering shots and minimal sound which makes me feel like I was thrown in a different world or staring at beautiful paintings - which rightly sets the mood for 100 minutes of pure surreal movie experience.


Repressed sexuality, taboos and depravities - the deepest, darkest secret sexual desires of a seemingly frigid rich young woman married to a doctor who gets drawn into the dirty world of prostitution... by choice, and only at 2pm to 5pm, hence her whore name, "Belle de Jour" ("beauty of [the] day")... all that, in a sweetly-packaged mesh of fantasy and reality.

This is only the third movie of Catherine Deneuve that I've seen, and so far I gotta say that she is at her prime here - acting-wise & beauty. Seeing her in a role as a reserved, upperclass wife who refuses her husband's sexual advances (most likely due to traumatic childhood experiences) and yet finds herself getting caught in a sticky web of prostitution with her at the center, spinning thread after thread of sexual depravity, is pure decadent fun. It doesn't hurt as well that she's elegantly garbed by Yves Saint Laurent. Deneuve is really fast becoming one of my cinematic idols.


Anyway, so there's no turning back, she's hooked on being a hooker. She loves it. She knows it's bad & will only produce equally bad results, but she's too far in. She's conflicted but she's not going anywhere. In a scene where she was introduced to S & M, she asks Madame Anais how can anyone sink so low & not be disgusted by their actions. I'm not sure if she found the answer to that question but she certainly has sunk the lowest, then comes back to her husband (who looks like Mark Ruffalo, but prettier), satisfied & slowly changing, surer of herself.. freer.

In a man's world, where women are generally expected to be submissive, pure, devoid of any sexual perversions; while men enjoy the leniency of society, sometimes I wonder when they will realize that women are also sexual beings - not sexual objects - again, sexual beings, with different fantasies, different inclinations - and have the right to realize such fantasies without the fear of being labelled a whore? In this movie we see the lead character, hesitant at first, but coming back to Madame Anais' whorehouse, to cater every man's whims, not for the money but for the pleasure of experiencing her sexual awakening.


On the film's technical aspects, there is no background music except for the all-important bird/bell sounds; and the cinematography & lighting are not as visually satisfying as other films i've seen. It's probably intentional on Buñuel's part, I wouldn't know.. but it doesn't affect the quality of the film at all. The smooth/uninterrupted editing, I think is nicely done because the transition between Belle's fantasies & realities looks seamless which adds to the film's puzzling "which is which" reality. But the "fantasy" scenes, in my opinion, are just excellent in its simplicity, not too much garish artsy fartsy touch, but enough technical creativeness to give the audience a pure surreal treat. 





HONORABLE MENTION: 



  • I enjoyed the scenes in Madame Anais' house, Belle's interactions with her and the other prostitutes. They play gin, they do crochet or whatever that is. They chat as if they're gossiping trophy housewives waiting for their hardworking husbands, when in reality, they're waiting for their next clients. There's just a sense of normalcy in that atmosphere. 


  • The characters are all very interesting as well. Marcel, that darker, more exotic James Franco version that is Pierre's antithesis. Husson. Madame Anais & her girls. The Professor. All are worth dissecting. 



  • In Severine's mind, she gives in to Pierre's mischievous friend's proposition. The humor in this scene is so refreshing, as Husson asks her if he can "give her a letter" & she agrees. He asks, "here? In front of all these people?" to which Severine answers "Even better." Then they go under the table & proceed to give/take the "letter", while Pierre asks Charlotte what they are doing under the table. 
"what are they doing?" ..."nothing. fooling around. take a look." ... (table shakes) "no just tell me." .... "he's giving her an envelope." "and now?"....."it has some lily seeds." -- LOL 

  • Belle's scene with the Oriental guy. There was something endearing in that scene. They didn't understand each other, but in a way it seems that they have connected. The mysterious box with a buzzing thing in it (I would like to think it's just a vibrator. Less headache.) symbolizes Belle's willingness to try something new, when the other girl (who has been in that profession longer, thus more experienced) has refused it. 


In the end, she looked so satisfied, so I guess it is a vibrator. LOL 


In this scene, after the Oriental guy left, Belle was seen by Pallas face down, seemingly exhausted or thoroughly abused. How wrong she was, when Belle looks up with a totally satisfied look.

People and their opinions..... When in fact, they don't know anything. Unless you are in a similar situation, you have no right to judge or assume things. 




In conclusion, Belle de Jour is not a bad choice for a Buñuel virgin. I thoroughly enjoyed seeing his masterful manipulation of his surrealist techniques and his tasteful execution of "sexual depravities" without having to resort to showing any nudity or crass sex scenes. At the end of the film, it's interesting to note that in a way, this is like a mix of Inception, The Housemaid, and Mulholland Drive, but satisfyingly less complicated. It doesn't mean that it won't leave you scratching your head, as Buñuel decides to keep this film open to your own interpretations.


Catherine Deneuve IS Belle de Jour. I just love her in this one.



My Rating:  4.5/5 - gets better after each re-watch.





YOUR POINT OF VIEW: What's your interpretation of the final scene, or the whole movie for that matter? 






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